S.P. Balu's 'O Sai Maa Sai' had a release date set for April 12, 2016. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in S.P. Balu's "Maa Baba" album is number 2 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, O Sai Maa Sai's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of O Sai Maa Sai by S.P. Balu to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emani Keerthinthu | Partha Saradhi | B Minor | 6 | 10A | 110 BPM | ||
| Sri Runa Vimochana Narasimha Stothram | Malola Kannan | D♭ Major | 3 | 3B | 115 BPM | ||
| Harivarasanamm | M. G. Sreekumar | E Minor | 9 | 9A | 107 BPM | ||
| Sambho Hara Hara | Parupalli Ranganath | G Major | 5 | 9B | 138 BPM | ||
| Namasthe Paadambujam | Soumya Manoj | B Minor | 4 | 10A | 93 BPM | ||
| Brahma Murari | D.V. Ramani, Maruthi Mirajkar, Sri Chandra, Pashupati Prasad Goturi, Murali Krishna, Prashanth Kukukke, Sharath Bilinele, Ramesh Chandra | D Minor | 8 | 7A | 105 BPM | ||
| Garuda Gamana Tava Sri Maha Vishnu Stotram | Madhuri Dasagrandhi, Revathi Mannava, Pallavi Ananthoju | D Major | 6 | 10B | 132 BPM | ||
| Sri Narasimha Karavalamba Stothram | Malola Kannan | D♭ Major | 5 | 3B | 89 BPM | ||
| Shiridi Vasa Sai Prabho | N. Surya Prakash, Kumari Nalini | G Minor | 6 | 6A | 79 BPM | ||
| Hanumal Dhyanam | Bhavana Radhakrishnan | G Major | 2 | 9B | 113 BPM | ||
| Shankara Guru Jaya Shankara Guru - Adi | Udaiyalur Kalyanaraman | F♯ Major | 9 | 2B | 120 BPM | ||
| Thiruveedhula | G Balakrishna Prasad | F Major | 5 | 7B | 132 BPM | ||
| Sri Saibaba Ashtottarasaranamavali | Parupalli Sri Ranganath | B♭ Major | 5 | 6B | 114 BPM | ||
| Manideepavarnana | Nithya Santhoshini | E♭ Major | 4 | 5B | 116 BPM | ||
| Sapthagiri Sundhara | Sunanda | B Minor | 5 | 10A | 122 BPM | ||
| Ganesh Pancharatnam | T. Srinivas | C Major | 2 | 8B | 143 BPM | ||
| Ashtalakshmi Kavacham | Ramana, Vijayalakshmi Sarma | D Major | 4 | 10B | 122 BPM | ||
| Yeru Jaaripothindi | S.P. Balu, Dr. C.N.R | F Major | 3 | 7B | 131 BPM | ||
| Ramayya Kalyanam | Anil Kumar | G Major | 8 | 9B | 116 BPM | ||
| Aa Totti Ee Totti | Vedavathi Prabhakar | A Major | 5 | 11B | 135 BPM | ||
| Kandarpa Janaka | Mrs Y. V. S. Padmavathi | D♭ Major | 5 | 3B | 147 BPM | ||
| Alli Nodalu Rama | Mambalam Sisters | D♭ Major | 6 | 3B | 165 BPM | ||
| Karimuka Sodhara | Prabhakar | B♭ Major | 5 | 6B | 99 BPM | ||
| Muddugare Yashoda | Aishwarya Srinivas | G Major | 5 | 9B | 148 BPM | ||
| Chandra Sekhar | Ananthkumar | A♭ Major | 9 | 4B | 160 BPM |