- BPM
- 117
- Key
- E♭ Major
- Camelot
- 5B
Es war so wunderschön, Marsch, Op. 467 by Johann Strauss II, Riccardo Muti, Wiener Philharmoniker Song Details
Johann Strauss II, Riccardo Muti, Wiener Philharmoniker's ' "Es war so wunderschön, Marsch, Op. 467" was released on its scheduled release date, 2004. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Es war so wunderschön, Marsch, Op. 467's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Neujahrskonzert / New Year's Concert 2004". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Es war so wunderschön, Marsch, Op. 467 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
With Es war so wunderschön, Marsch, Op. 467 by Johann Strauss II, Riccardo Muti, Wiener Philharmoniker having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -16.782 dB
- Acousticness
- 92%
- Danceability
- 65%
- Energy
- 40%
- Instrumentalness
- 92%
- Liveness
- 72%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 75%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vino, mujeres y canciones, Op. 333 | Orquesta De Conciertos Vienesa, Alfred Scholz | B♭ Major | 3 | 6B | 181 BPM | |
 | Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM | |
 | Sailing By | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | |
 | Indigo, Op. 349: Marsch | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | E♭ Major | 3 | 5B | 113 BPM | |
 | Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | |
 | Chris and the Wonderful Lamp: Jack Tar | John Philip Sousa | F♯ Major | 2 | 2B | 114 BPM | |
 | Strauss & Co. (Medley) | Johann Strauss II, Franz Lehár, Emmerich Kálmán, André Rieu, Johann Strauss Orchestra | F Major | 4 | 7B | 118 BPM | |
 | Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | D Major | 2 | 10B | 93 BPM | |
 | Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | |
 | Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | |
 | Lagunen, Op. 411: Lagunen Waltz, Op. 411 | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | C Major | 1 | 8B | 185 BPM | |
 | M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | |
 | 8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | |
 | La boda de Luis Alonso, o La noche del encierro: El baile de Luis Alonso: Intermedio | Jerónimo Giménez, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | E Major | 1 | 12B | 112 BPM | |
 | Feuerfest, Op. 269 | Josef Strauss, Wiener Philharmoniker, Willi Boskovsky | D Major | 5 | 10B | 94 BPM | |
 | 21 Hungarian Dances for Orchestra, WoO 1: No. 5, Allegro (Arr. A. Parlow) | Johannes Brahms, Magyar Szimfonikus Zenekarok, Istvan Bogar | G Minor | 2 | 6A | 144 BPM | |
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | Bei uns z'Haus, Op. 361 | Johann Strauss II, Slovak State Philharmonic Orchestra, Alfred Walter | C Major | 1 | 8B | 99 BPM | |
 | Wiener Blut (Vienna Blood), waltz for orchestra, Op. 354 (RV 354) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 183 BPM | |
 | Noches de Viena | Orquesta Filarmonica de Rumania | D Major | 3 | 10B | 174 BPM | |
 | Act II, ii, 7 Grand pas Classique: Opening Mazurka (Minkus) | Ludwig Minkus, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | |
 | Verdi: Aida, Act 2: Triumphal March | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | |
 | Un ballo in Maschera: Saper vorreste - Instrumental Version | Giuseppe Verdi, Orchestra Sinfonica Moldava, Silvano Frontalini | D Major | 0 | 10B | 85 BPM | |
 | Frist Trasch Polka | George Henkla | A Major | 5 | 11B | 81 BPM | |
 | Fledermaus-Quadrille, Op. 363 - Live | Johann Strauss II, Lorin Maazel | D Major | 5 | 10B | 125 BPM |
- ISRC
- USSM11306380
- Label
- L-M Records/RCA Records