"Un ballo in Maschera: Saper vorreste - Instrumental Version" by Giuseppe Verdi, Orchestra Sinfonica Moldava, Silvano Frontalini had its release date on May 4, 2015. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Un ballo in Maschera: Saper vorreste - Instrumental Version's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 9 in Arias for Soprano: Only Music (Instrumental Version) by Silvano Frontalini, Orchestra Sinfonica Moldava. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Un ballo in Maschera: Saper vorreste - Instrumental Version is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Un ballo in Maschera: Saper vorreste - Instrumental Version by Giuseppe Verdi, Orchestra Sinfonica Moldava, Silvano Frontalini is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | C Major | 1 | 8B | 97 BPM | ||
| Giselle: Act II: Ensemble des Wilis | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 89 BPM | ||
| Voces de primavera, Op. 410 | Orquesta De Conciertos Vienesa, Alfred Scholz | C Minor | 3 | 5A | 175 BPM | ||
| Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
| Fantasía Morisca: Serenata (Allegro Moderato) (Chapí) | Orquesta "Ciudad de Granada" & Juan de Udaeta | B Minor | 1 | 10A | 100 BPM | ||
| Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM | ||
| Estudiantina, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | D Major | 2 | 10B | 99 BPM | ||
| Don Quixote: Act I: Street Dancer | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 0 | 10B | 100 BPM | ||
| Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
| Giselle / Act 1: Pas de deux des jeunes paysans (Valse) | Adolphe Adam, Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | B Major | 0 | 1B | 127 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
| Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Orchestra da Camera Fiorentina, Giuseppe Lanzetta | C Minor | 3 | 5A | 92 BPM | ||
| Capriccio espagnol, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
| Luisa Miller: Overture | Giuseppe Verdi, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | E♭ Minor | 2 | 2A | 79 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | ||
| Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
| Suite for Variety Orchestra: V. Lyric Waltz | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Bombones de Viena | George Henkla | F Major | 2 | 7B | 182 BPM | ||
| Rossini: Il barbiere di Siviglia: Sinfonia (Andante sostenuto - Allegro con brio) | Gioachino Rossini, Radio-Sinfonieorchester Stuttgart/Gianluigi Gelmetti, Gelmetti Gelmetti, Radio-Sinfonieorchester Stuttgart | A Major | 8 | 11B | 142 BPM | ||
| Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
| La source, ou Naila: Suite No. 3: La Source: Intermezzo (Pas des Fleurs, Grande Valse) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 125 BPM | ||
| Orchid | Vasiliy Agapkin, First Separate Exemplary Orchestra of USSR Defense Ministry, Nikolai Sergeev | C Major | 3 | 8B | 108 BPM | ||
| Skater's Waltz | Norddeutsche Philharmonie Symphony | D Major | 2 | 10B | 105 BPM | ||
| Raymonda, Op. 57: Act III - Danse des enfants | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | A Major | 1 | 11B | 90 BPM | ||
| La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Major | 1 | 12B | 132 BPM |