Mark Orton's 'Primal Architecture' had a release date set for November 10, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 24 in the song's album "The Holdovers (Original Motion Picture Soundtrack)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. The popularity of Primal Architecture is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Primal Architecture by Mark Orton having a BPM of 163 with a half-time of 82 BPM and a double-time of 326 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Candlepin Bowling | Mark Orton | C Major | 6 | 8B | 151 BPM | ||
| Electricity | Arthur Sharpe | F♯ Major | 2 | 2B | 87 BPM | ||
| Sophie - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | F Minor | 0 | 4A | 180 BPM | ||
| Eight Thousand Layers | Christopher Bear, Daniel Rossen | D♭ Major | 2 | 3B | 88 BPM | ||
| Julius Meets Henry | Mark Orton | E♭ Minor | 1 | 2A | 96 BPM | ||
| 12 Mighty Orphans / Drive to the Home | Mark Orton, Carla Kihlstedt | C Minor | 1 | 5A | 173 BPM | ||
| Big Country | Emile Mosseri | A♭ Major | 2 | 4B | 62 BPM | ||
| In the Parlor | Rachel Grimes | G Minor | 2 | 6A | 67 BPM | ||
| Too Much Dynamite | Robbie Robertson | B Major | 1 | 1B | 75 BPM | ||
| On the Eve of Harlan's Demise | Nathan Johnson | D Major | 1 | 10B | 88 BPM | ||
| New Queen | Martin Phipps | B♭ Major | 1 | 6B | 169 BPM | ||
| No One Gets Left Behind | DeVotchKa, Mychael Danna | G Major | 3 | 9B | 98 BPM | ||
| Orkney | Jan Miserre, John Gürtler | F Major | 1 | 7B | 102 BPM | ||
| Captain Sneaky | Abel Korzeniowski | D Major | 0 | 10B | 120 BPM | ||
| Charles | Martin Phipps | D Minor | 0 | 7A | 117 BPM | ||
| Should Auld Acquaintance Be Forgot | Alexandra Harwood | A♭ Major | 1 | 4B | 71 BPM | ||
| The Acceptance - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | F Minor | 0 | 4A | 180 BPM | ||
| Perfect Day - Piano Komorebi Version | Patrick Watson | E♭ Major | 1 | 5B | 141 BPM | ||
| A Letter From Prison | Dario Marianelli | B♭ Major | 0 | 6B | 112 BPM | ||
| Corncrake | Jan Miserre, John Gürtler | F Major | 3 | 7B | 133 BPM | ||
| Vampire’s Castle | Daniel Lopatin | D Minor | 4 | 7A | 135 BPM | ||
| John's Theme (Love Scene) | Pino Donaggio | G Major | 0 | 9B | 139 BPM | ||
| Muriel’s Future | Mark Orton | E♭ Minor | 1 | 2A | 96 BPM | ||
| Barbara Rose | Jonny Greenwood | C Major | 2 | 8B | 150 BPM | ||
| The House that Hårga Built | Bobby Krlic | F♯ Major | 2 | 2B | 106 BPM |