"Julius Meets Henry" by Mark Orton had its release date on April 25, 2025. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Julius Meets Henry's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "On Swift Horses (Original Motion Picture Soundtrack)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Julius Meets Henry is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Julius Meets Henry by Mark Orton having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Manchester By The Sea Chorale | Lesley Barber | A Major | 1 | 11B | 64 BPM | ||
| Not if it's Illegal | Robbie Robertson | B Minor | 2 | 10A | 140 BPM | ||
| Out of Nothing, Everything | Dan Romer | G Major | 2 | 9B | 180 BPM | ||
| Ringing Doorbells | Nick Urata | E♭ Major | 1 | 5B | 172 BPM | ||
| Crossing II | Christopher Bear, Daniel Rossen | C Minor | 1 | 5A | 70 BPM | ||
| Improvisation on a Familiar Theme | Andrew Bird | D Major | 2 | 10B | 164 BPM | ||
| A Girl in Tow / Back to Barton | Mark Orton | C Minor | 2 | 5A | 163 BPM | ||
| Don't Leave Me Joe | Jocelyn Pook | B♭ Major | 1 | 6B | 129 BPM | ||
| Music For A Found Harmonium - 2008 Digital Remaster | Penguin Cafe Orchestra | C Major | 2 | 8B | 97 BPM | ||
| Muriel’s Future | Mark Orton | E♭ Minor | 1 | 2A | 96 BPM | ||
| The Mona Lisa | Caroline Shaw, Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | G Major | 1 | 9B | 120 BPM | ||
| Corncrake | Jan Miserre, John Gürtler | F Major | 3 | 7B | 133 BPM | ||
| in the forest | David Torn | E♭ Major | 2 | 5B | 79 BPM | ||
| Piano One | Jon Brion | C Major | 0 | 8B | 109 BPM | ||
| The Clandestine Adventures of Ms. Merz | Tin Hat Trio | B♭ Major | 2 | 6B | 118 BPM | ||
| Sorry, Baby - Piano | Lia Ouyang Rusli | A Minor | 1 | 8A | 84 BPM | ||
| Always | Hildur Guðnadóttir | A Minor | 2 | 8A | 148 BPM | ||
| Edee's Theme | Time For Three | B♭ Minor | 0 | 3A | 82 BPM | ||
| Canopy | John Metcalfe | F Major | 4 | 7B | 120 BPM | ||
| Beautiful Family | Laura Karpman | C Minor | 4 | 5A | 64 BPM | ||
| To The Office The Elevator | David Shire | F Minor | 2 | 4A | 73 BPM | ||
| Mile's Theme | Rolfe Kent | E Minor | 4 | 9A | 121 BPM | ||
| Bedroom | Christopher Bear, Daniel Rossen | C Minor | 1 | 5A | 70 BPM | ||
| Rebirth | Antonio Pinto | D Major | 6 | 10B | 150 BPM | ||
| Speak Up | Hildur Guðnadóttir | A Minor | 3 | 8A | 74 BPM |