Bernstein: Wonderful Town, Act 1: "One Hundred Easy Ways to Lose a Man" (Ruth) by Leonard Bernstein, Sir Simon Rattle, Kim Criswell, Birmingham Contemporary Music Group Song Details

Leonard Bernstein, Sir Simon Rattle, Kim Criswell, Birmingham Contemporary Music Group's ' "Bernstein: Wonderful Town, Act 1: "One Hundred Easy Ways to Lose a Man" (Ruth)" was released on its scheduled release date, January 1, 1999. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 20 in Bernstein: Wonderful Town by Leonard Bernstein, Sir Simon Rattle, Birmingham Contemporary Music Group. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bernstein: Wonderful Town, Act 1: "One Hundred Easy Ways to Lose a Man" (Ruth) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

The tempo marking of Bernstein: Wonderful Town, Act 1: "One Hundred Easy Ways to Lose a Man" (Ruth) by Leonard Bernstein, Sir Simon Rattle, Kim Criswell, Birmingham Contemporary Music Group is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -15.953 dB
Acousticness: 73%
Danceability: 66%
Energy: 22%
Instrumentalness: 0%
Liveness: 72%
Loudness: 73%
Speechiness: 50%
Valence: 67%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Marche slave, Op. 31, TH 45	Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic	B♭ Minor	4	3A	109 BPM
Romeo and Juliet Suite No. 2, Op. 64ter: I. Montagues and Capulets (Live)	Sergei Prokofiev, Riccardo Muti, Chicago Symphony Orchestra	A Minor	1	8A	93 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	E♭ Major	0	5B	128 BPM
Billy the Kid Suite: III. Mexican Dance and Finale	Aaron Copland, Leonard Bernstein, New York Philharmonic	C Major	3	8B	141 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	G Minor	0	6A	66 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	C Minor	0	5A	80 BPM
Symphony No. 7 in A Major, Op. 92: II. Allegretto	Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic	E Minor	0	9A	121 BPM
Enigma Variations, Op. 36: Var. 5. Moderato "R.P.A."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	C Minor	0	5A	83 BPM
Petrouchka / Tableau I: Fête populaire de la semaine grasse	Igor Stravinsky, Cleveland Orchestra, Pierre Boulez	D Minor	2	7A	116 BPM
Symphony No. 40 in G Minor, K. 550 (1st Version, No Clarinets): I. Molto allegro	Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm	B Major	0	1B	94 BPM
Rhapsody in Blue	George Gershwin, Columbia Symphony Orchestra, Leonard Bernstein	A Major	2	11B	71 BPM
Debussy: La plus que lente, L. 121	Claude Debussy, San Francisco Symphony, Michael Tilson Thomas	G Major	0	9B	133 BPM
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto - Live	Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein	F Major	1	7B	172 BPM
Symphony No. 10 in E Minor, Op. 93: II. Allegro	Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	B♭ Minor	6	3A	89 BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	C Major	3	8B	106 BPM
Enigma Variations, Op. 36: Var. 8. Allegretto "W.N."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Major	0	9B	84 BPM
Come, Sweet Death	Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra	E Minor	1	9A	87 BPM
Symphony No. 2 "Resurrection": Ic. Schnell - Live	Gustav Mahler, New York Philharmonic, Leonard Bernstein	E♭ Minor	2	2A	64 BPM
Candide, Act I (Remastered): Overture - 2017 Remastered Version	Leonard Bernstein, Samuel Krachmalnick, Candide Orchestra	E♭ Major	4	5B	166 BPM
Voices of Spring, Op. 410	Johann Strauss II, Leonard Bernstein	B♭ Major	2	6B	110 BPM
West Side Story Symphonic Dances: IV. Mambo - Live	Leonard Bernstein, Los Angeles Philharmonic	C Major	1	8B	117 BPM
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	G Major	0	9B	103 BPM
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	E Major	3	12B	141 BPM
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Remastered	Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein	A Minor	1	8A	82 BPM
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	D Major	3	10B	85 BPM