The Rake's Progress, Act I: I Wish I Had Money by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner Song Details

"The Rake's Progress, Act I: I Wish I Had Money" by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner had its release date on August 4, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 29 in the song's album "Stravinsky: The Rake's Progress". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Italy. In terms of popularity, The Rake's Progress, Act I: I Wish I Had Money is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Rake's Progress, Act I: I Wish I Had Money by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -15.737 dB
Acousticness: 99%
Danceability: 33%
Energy: 21%
Instrumentalness: 0%
Liveness: 80%
Loudness: 74%
Speechiness: 4%
Valence: 17%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Háry János Suite: IV. The Battle and Defeat of Napoleon	Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain	F Major	1	7B	84 BPM
Piano Concerto: III. Allegro agitato	George Gershwin, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin	C Minor	2	5A	140 BPM
Symphony in E Minor, Op. 32, "Gaelic Symphony": IV. Allegro di molto	Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn	E Minor	2	9A	117 BPM
Symphony No. 5 In B-Flat, Op. 100: 4. Allegro giocoso	Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	131 BPM
Salome, Op. 54: Dance of the Seven Veils	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	C Major	2	8B	95 BPM
Háry János Suite: VI. Entrance of the Emperor and His Court	Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain	A♭ Major	2	4B	131 BPM
Symphony No. 2 in E Minor, Op. 27: Ib. Allegro moderato	Sergei Rachmaninoff, Philadelphia Orchestra, Yannick Nézet-Séguin	G Major	1	9B	85 BPM
Symphony No. 2 in B Minor: IV. Finale. allegro	Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR	G Major	3	9B	137 BPM
Quatuor pour la fin du Temps: III. Abîme des oiseaux	Olivier Messiaen, Martin Fröst	G Major	0	9B	131 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Scheherazade, Op. 35: IV. Allegro molto	Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	D Minor	5	7A	96 BPM
Aladdin Suite, Op. 34, FS 89: VI. Dance of the Prisoners	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	E Minor	2	9A	107 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Major	0	2B	69 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	B♭ Major	3	6B	160 BPM
Petrushka: The Shrove-Tide Fair	Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky	D Minor	5	7A	80 BPM
Prince Igor: Dance of the Polovtsian Maidens. Presto	Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan	C Major	2	8B	95 BPM
Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso	Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra	F♯ Minor	1	11A	128 BPM
The Rake's Progress, Act III Scene 3: Duet. In a foolish dream… (Tom, Anne)	Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft	E♭ Major	1	5B	89 BPM
Symphonie espagnole, Op. 21: I. Allegro non troppo	Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	D Minor	1	7A	75 BPM
Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato	Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst	C Major	0	8B	105 BPM
Gurrelieder, Pt. 1: No. 1, Orchestral Prelude	Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado	E♭ Major	0	5B	83 BPM
Symphonie fantastique, H. 48: IV. Marche au supplice	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	G Minor	2	6A	166 BPM
Nocturnes, CD 98: I. Nuages	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	C Major	0	8B	77 BPM
Eine Alpensinfonie, Op.64, TrV 233: 19. Gewitter und Sturm, Abstieg	Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan	B♭ Minor	6	3A	148 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": II. Andante con moto	Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado	D Major	0	10B	70 BPM