"The Rake's Progress, Act III Scene 3: Duet. In a foolish dream… (Tom, Anne)" by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft had its release date on May 26, 2009. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. The Rake's Progress, Act III Scene 3: Duet. In a foolish dream… (Tom, Anne)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Hong Kong. The Rake's Progress, Act III Scene 3: Duet. In a foolish dream… (Tom, Anne) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rake's Progress, Act III Scene 3: Duet. In a foolish dream… (Tom, Anne) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Segelfahrt (Under Sail) | Jean Sibelius, Tom Krause, Irwin Gage | F Major | 2 | 7B | 92 BPM | ||
| Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 78 BPM | ||
| A Midsummer Night's Dream / Act 1: "Over Hill, Over Dale" | Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, London Symphony Orchestra | G Major | 2 | 9B | 89 BPM | ||
| 3 Japanese Lyrics, K16: No. 3, Tsaraiuki | Igor Stravinsky, Phyllis Bryn-Julson, Ensemble Intercontemporain, Pierre Boulez | D Major | 1 | 10B | 94 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 74 BPM | ||
| Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
| Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM | ||
| Symphony No. 3 "Liturgique": I. Dies irae. Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
| Mahler: Das Lied von der Erde: IV. Von der Schönheit | Gustav Mahler, Otto Klemperer, Christa Ludwig, New Philharmonia Orchestra, Philharmonia Orchestra | G Major | 2 | 9B | 128 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Teil. Hymnus. Veni, creator spiritus! | Gustav Mahler, Lorin Maazel, Wolfram Koloseus, Konzertvereinigung Wiener Staatsopernchor, ORF-Chor, Arnold Schoenberg Chor, Wiener Philharmoniker | D Major | 2 | 10B | 75 BPM | ||
| Das Lied von der Erde: IV. Von der Schönheit | Gustav Mahler, Kent Nagano, Christian Gerhaher, Orchestre Symphonique de Montréal | F Major | 2 | 7B | 92 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romanze. Andante | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 0 | 9B | 86 BPM | ||
| Die Walküre / Erster Aufzug: "Du bist der Lenz" | Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 2 | 3B | 69 BPM | ||
| Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
| Jolivet: Poèmes intimes: No. 4, Tu dors | André Jolivet, Alain Lombard, Colette Herzog, Orchestre Philharmonique De Strasbourg | D Major | 5 | 10B | 170 BPM | ||
| Apollo (1947 revision): Tableau II: Apotheosis: Apollo and the Muses | London Symphony Orchestra, Robert Craft | E Minor | 0 | 9A | 60 BPM | ||
| Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 8. Wenn so lind dein Auge mir | Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch | A♭ Major | 1 | 4B | 133 BPM | ||
| Palestrina, Act III: Wie lange sie bleiben | Hans Pfitzner, Otmar Suitner, Staatskapelle Berlin, Chor Der Staatsoper Berlin, Peter Schreier, Carola Nossek | F♯ Major | 1 | 2B | 87 BPM | ||
| Missa Brevis: I. Kyrie | Leonard Bernstein, Coro da Orquestra Sinfônica do Estado de São Paulo, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | F Minor | 2 | 4A | 96 BPM | ||
| Petrouchka: Chez le maure / Danse de la ballerine | Ferenc Fricsay, Berliner Philharmoniker | F Major | 1 | 7B | 96 BPM | ||
| Sinfonietta, FP 141: II. Molto vivace | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 79 BPM | ||
| Podrugi (Girl Friends), Op. 41a [reconstructed by M. Fitz-Gerald]: Introduction [opening credits] | Dmitri Shostakovich, Agnieszka Bochenek-Osiecka, Aleksandra Poniszowska, Elzbieta Starczynowska, Sabina Myrczek, Adam Myrczek, Camerata Silesia, Celia Sheen, Polish National Radio Symphony Orchestra, Mark Fitz-Gerald | E Major | 0 | 12B | 84 BPM | ||
| Concerto for Orchestra, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 90 BPM |