Apollo (1947 revision): Tableau II: Apotheosis: Apollo and the Muses by London Symphony Orchestra, Robert Craft Song Details

"Apollo (1947 revision): Tableau II: Apotheosis: Apollo and the Muses" by London Symphony Orchestra, Robert Craft had its release date on May 1, 2005. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 39 in the song's album "Stravinsky: Apollo - Agon - Orpheus". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. Apollo (1947 revision): Tableau II: Apotheosis: Apollo and the Muses is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Apollo (1947 revision): Tableau II: Apotheosis: Apollo and the Muses by London Symphony Orchestra, Robert Craft having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -38.001 dB
Acousticness: 99%
Danceability: 16%
Energy: 0%
Instrumentalness: 64%
Liveness: 8%
Loudness: 37%
Speechiness: 4%
Valence: 14%

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