"Anvil - Remix" by Sean Murray had its release date on November 16, 2010. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Anvil - Remix's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 30 in Call of Duty: Black Ops (Original Game Soundtrack) by Sean Murray. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Anvil - Remix is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Anvil - Remix by Sean Murray is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Load Up | Brandon McKagan | D♭ Major | 4 | 3B | 100 BPM | ||
| Epilogue | Sean Murray | D Minor | 2 | 7A | 67 BPM | ||
| Prologue | Ola Strandh | E Major | 4 | 12B | 128 BPM | ||
| Severance Combat | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| Drexel | Sean Murray | D♭ Major | 5 | 3B | 130 BPM | ||
| Conflict Now | Barry DeVorzon, Sean Murray | E Minor | 1 | 9A | 128 BPM | ||
| Untoten Requiem | Wilbert Roget, II | A♭ Major | 1 | 4B | 80 BPM | ||
| Time Window | Starbreeze Entertainment, Simon Viklund | D♭ Major | 5 | 3B | 131 BPM | ||
| Frostbite | Johan Skugge, Jukka Rintamäki | B Minor | 3 | 10A | 174 BPM | ||
| Down to Business - Bonus Track | Stephen Barton | F♯ Major | 7 | 2B | 92 BPM | ||
| Invitation | Pawel Blaszczak | C Minor | 2 | 5A | 75 BPM | ||
| Amnesic Entanglement | Synth Chris, Wes Morgan, Render Reality, Sean Murray | B Major | 8 | 1B | 175 BPM | ||
| Inbound Part 3 | Joel Nielsen | E Major | 4 | 12B | 72 BPM | ||
| Arabian End Game | Brian Tyler | D Major | 7 | 10B | 170 BPM | ||
| Legion Maxx | Sean Murray | G Major | 3 | 9B | 135 BPM | ||
| The Start of a Journey | Ludvig Forssell, 本田晃弘 | E Minor | 2 | 9A | 75 BPM | ||
| Boss (From “Call of Duty: Black Ops Cold War - DOA3”) | Kevin Sherwood | B Major | 10 | 1B | 120 BPM | ||
| Departure | Pawel Blaszczak | C Minor | 3 | 5A | 160 BPM | ||
| The Ruins of Nova Prospekt | Spencer Baggett | A♭ Major | 7 | 4B | 156 BPM | ||
| Pause That | Brandon McKagan | A♭ Major | 10 | 4B | 180 BPM | ||
| Clean Getaway | Simon Viklund | A Major | 9 | 11B | 105 BPM | ||
| Crash Site | Walter Mair | F♯ Major | 2 | 2B | 83 BPM | ||
| Praise the Sunlight | Pawel Blaszczak | F Major | 1 | 7B | 161 BPM | ||
| The Super Destroyer | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| Infiltrate | Spencer Baggett | A♭ Major | 7 | 4B | 156 BPM |