SIE Sound Team's 'サニアとの出逢い' had a release date set for 1996. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 「ポポロクロイス物語」オリジナル・サウンドトラック, so we believe that "サニアとの出逢い" is a single. In terms of popularity, サニアとの出逢い is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of サニアとの出逢い by SIE Sound Team is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morgott, the Omen King | Tsukasa Saitoh | B♭ Major | 6 | 6B | 123 BPM | ||
| 「希望」~「陽のあたる大地」(メドレー) | 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 | A Minor | 1 | 8A | 81 BPM | ||
| Smiles from Juran | Keith Power, Digital Extremes Ltd. | D Minor | 2 | 7A | 70 BPM | ||
| Shadowlord's Castle / Roar | SQUARE ENIX MUSIC | A Minor | 9 | 8A | 160 BPM | ||
| The Hilltop Mausoleum | Medievil I | C Minor | 4 | 5A | 105 BPM | ||
| The City Must Survive | Piotr Musiał | G Minor | 7 | 6A | 95 BPM | ||
| Rom, the Vacuous Spider | SIE Sound Team | A Major | 4 | 11B | 72 BPM | ||
| Abyss Watchers | Yuka Kitamura | F Minor | 4 | 4A | 75 BPM | ||
| Moons of Evening Star | Brad Derrick | F♯ Minor | 1 | 11A | 70 BPM | ||
| Sixteen Strikes | Borislav Slavov | C Minor | 4 | 5A | 120 BPM | ||
| Twin Princes | Yuka Kitamura | E♭ Major | 3 | 5B | 103 BPM | ||
| The Slopes Of The Blessure | Piotr Musiał | D Minor | 3 | 7A | 80 BPM | ||
| Prelude to a Heroic Tale | 本良敬典(長現山妙常寺), グローリー・コーラス・トウキョウ, アトラスサウンドチーム, ATLUS GAME MUSIC | B Minor | 6 | 10A | 78 BPM | ||
| Turned Around | Cicada Sirens | B♭ Major | 0 | 6B | 80 BPM | ||
| Sephiroth's Lament | Alex Moukala | D Minor | 2 | 7A | 118 BPM | ||
| Beast Clergyman | Shoi Miyazawa | B♭ Major | 5 | 6B | 129 BPM | ||
| Aristocrats of Karnaca (Ambient) | Daniel Licht | F♯ Major | 0 | 2B | 109 BPM | ||
| Que Las Campanas Me Doblen | Carlos Viola | D Minor | 3 | 7A | 60 BPM | ||
| Dame Tu Tormento | Carlos Viola | D Major | 5 | 10B | 80 BPM | ||
| No More Do I Travel as a Man | Trevor Morris | D Minor | 1 | 7A | 141 BPM | ||
| Emil / Sacrifice | SQUARE ENIX MUSIC | G Major | 3 | 9B | 75 BPM | ||
| Astel, Naturalborn of the Void | Tai Tomisawa | D♭ Minor | 6 | 12A | 119 BPM | ||
| Lady Masako | Ilan Eshkeri | G Minor | 3 | 6A | 81 BPM | ||
| The Wretched Automatons | SQUARE ENIX MUSIC | G Minor | 6 | 6A | 124 BPM | ||
| The One Reborn | SIE Sound Team | G Major | 4 | 9B | 109 BPM |