"Smiles from Juran" by Keith Power, Digital Extremes Ltd. had its release date on October 17, 2023. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Warframe (Official Soundtrack II) by Digital Extremes Ltd., Various Artists. The song's track number on the album is #5 out of 32 tracks. Based on our data, United States was the country where this track was produced or recorded. Smiles from Juran is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Smiles from Juran by Keith Power, Digital Extremes Ltd. has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Smiles from Juran being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Su Beso de Plata - Redux | Carlos Viola | F Major | 9 | 7B | 165 BPM | ||
| Allmind | Shoi Miyazawa | B Minor | 8 | 10A | 86 BPM | ||
| Our Disease | Keith Power | G Major | 3 | 9B | 159 BPM | ||
| Imperial Advance | Jesper Kyd | G Minor | 7 | 6A | 120 BPM | ||
| Murmurs from the Land Forbidden | Akihiko Narita | D♭ Major | 3 | 3B | 149 BPM | ||
| Coral Guardian | Shoi Miyazawa | B Minor | 8 | 10A | 86 BPM | ||
| Beautiful Mirage - The Vision Fades | Ludvig Forssell | C Minor | 1 | 5A | 73 BPM | ||
| Grab Something | Digital Extremes Ltd., George Spanos | D♭ Major | 9 | 3B | 120 BPM | ||
| March of the Moa | Keith Power | G Major | 8 | 9B | 200 BPM | ||
| The Inn | Stuart Chatwood | D Minor | 1 | 7A | 84 BPM | ||
| The Lord of Frenzied Flame | Shoi Miyazawa | A♭ Major | 5 | 4B | 144 BPM | ||
| Aurax | Digital Extremes Ltd., Jason Graves | B♭ Minor | 9 | 3A | 110 BPM | ||
| Rough And Decent (Bad Joke) | Shoi Miyazawa | B Minor | 8 | 10A | 86 BPM | ||
| World's End - Arch-Tempered Nergigante | TADAYOSHI MAKINO | D♭ Major | 10 | 3B | 160 BPM | ||
| Battle of the Mountain | Stuart Chatwood | A Minor | 9 | 8A | 124 BPM | ||
| Afterfall | Tal Richards, Sheepy, Hahlweg | F Major | 1 | 7B | 113 BPM | ||
| Quantum Spawn | ELFL | D♭ Major | 8 | 3B | 95 BPM | ||
| He Who Devoured The Dark | Solas Composer | D Minor | 4 | 7A | 100 BPM | ||
| Forgotten Shore | Griffin Tyler | A♭ Major | 10 | 4B | 120 BPM | ||
| Duty Without End Outro | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| Contact (Final Transmission) | Trocadero | A♭ Minor | 2 | 1A | 204 BPM | ||
| Nine Blades | Borislav Slavov | C Major | 3 | 8B | 120 BPM | ||
| Archange | PROJECT ACES, Bandai Namco Game Music | B Minor | 5 | 10A | 81 BPM | ||
| Jin Sakai | Ilan Eshkeri | G Minor | 4 | 6A | 84 BPM | ||
| Gnoster, Wisdom of Night | Tai Tomisawa | A Major | 6 | 11B | 167 BPM |