- BPM
- 133
- Key
- D Major
- Camelot
- 10B
POMP AND CIRCUMSTANCE MARCHES OP.39 NO.1 IN D MAJOR by 101 Strings Orchestra Song Details
101 Strings Orchestra's 'POMP AND CIRCUMSTANCE MARCHES OP.39 NO.1 IN D MAJOR' had a release date set for May 27, 2008. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 1 out of 14 in CLASSICAL ROMANCE VOL.7 / CLASSICAL MASTERPIECE by 101 Strings Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, POMP AND CIRCUMSTANCE MARCHES OP.39 NO.1 IN D MAJOR's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of POMP AND CIRCUMSTANCE MARCHES OP.39 NO.1 IN D MAJOR by 101 Strings Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -13.947 dB
- Acousticness
- 62%
- Danceability
- 25%
- Energy
- 38%
- Instrumentalness
- 92%
- Liveness
- 13%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 23%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphonie fantastique, Op. 14: 4. Marche au supplice. Allegretto non troppo | Hector Berlioz, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | G Minor | 2 | 6A | 168 BPM | |
 | Casse-Noisette, Op.71 : 'Danse des mirlitons' | Pyotr Ilyich Tchaikovsky, Orchestre D'Etat Du Palatinat Rhénan, Kurt Redel | D Major | 1 | 10B | 132 BPM | |
 | Valse triste | Jean Sibelius, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | G Major | 0 | 9B | 170 BPM | |
 | Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | |
 | Handel: Music for the Royal Fireworks, HWV 351: V. La Réjouissance | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | D♭ Major | 7 | 3B | 113 BPM | |
 | Trumpet Concerto in E-Flat Major, Hob. VIIe:1: I. Allegro | Joseph Haydn, Alison Balsom, Thomas Klug, Deutsche Kammerphilharmonie Bremen | A Major | 2 | 11B | 102 BPM | |
 | Le carnaval des animaux, R. 125: 13. Le cygne | Camille Saint-Saëns, Wolfgang Herzer, Alfons Kontarsky, Aloys Kontarsky, Karl Böhm | G Major | 0 | 9B | 101 BPM | |
 | Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Susan Palma-Nidel, Nancy Allen, Orpheus Chamber Orchestra | F Major | 1 | 7B | 115 BPM | |
 | Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 2: No. 13, Dance of the Knights | Sergei Prokofiev, Toronto Symphony Orchestra, Jukka-Pekka Saraste | D Minor | 0 | 7A | 137 BPM | |
 | THEME FROM ROCKY | 101 Strings Orchestra | E♭ Major | 3 | 5B | 111 BPM | |
 | Eugen Onegin: Polonaise | Rundfunkorchester Berlin, Heinz Fricke | G Major | 5 | 9B | 95 BPM | |
 | String Quintet in E Major, G. 275 (Op. 11/5): Minuet | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | |
 | 星条旗よ永遠なれ | 101 Strings Orchestra | A♭ Major | 6 | 4B | 127 BPM | |
 | Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | |
 | CARMEN: MARCH OF THE TOREADORS (Bizet) | 101 Strings Orchestra | A Major | 5 | 11B | 116 BPM | |
 | Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | |
 | TALES FROM THE VIENNA WOODS | 101 Strings Orchestra | B♭ Major | 4 | 6B | 103 BPM | |
 | Te Deum: Prélude | Marc-Antoine Charpentier, Orchestre Paul Kuentz | A♭ Major | 0 | 4B | 169 BPM | |
 | Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme. Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 71 BPM | |
 | Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | |
 | Radetzky-Marsch, Op. 228 | Johann Strauss I, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 107 BPM | |
 | Concerto for 2 Trumpets, Strings & Continuo in C Major, RV 537: I. Allegro | Antonio Vivaldi, Maurice André, Mauritz Sillem, English Chamber Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 102 BPM | |
 | Jockey-Polka (Schnell), Op. 278 | Josef Strauss, Slovak Radio Symphony Orchestra | F Major | 3 | 7B | 163 BPM | |
 | Khachaturian: Gayaneh, Suite No. 3: V. Sabre Dance | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | F Minor | 8 | 4A | 94 BPM | |
 | Der Freischütz, J. 277, Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 5 | 11B | 91 BPM |
- ISRC
- CAM460770204
- Label
- L-M Records/RCA Records