Francisco Lomuto's ' "Guapito" was released on its scheduled release date, December 23, 1927. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Guapito's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 29 in El Guapito by Francisco Lomuto. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Guapito is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Guapito by Francisco Lomuto is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mas Alla | Osvaldo Fresedo y su Orquesta Típica | D♭ Major | 3 | 3B | 133 BPM | ||
| Adiós Adiós Corazón | José García Y Sus Zorros Grises | F Major | 3 | 7B | 121 BPM | ||
| Caminito | Francisco Lomuto | E Major | 1 | 12B | 132 BPM | ||
| Asi se canta | Ricardo Tanturi y Enrique Campos | F Minor | 4 | 4A | 123 BPM | ||
| El Adiós | Edgardo Donato | D♭ Minor | 3 | 12A | 124 BPM | ||
| Milonga vieja milonga | Orquesta tipica de Juan D`Arienzo | F Minor | 4 | 4A | 101 BPM | ||
| Tristezas de la Calle Corrientes | Rodolfo Biagi, Miguel Caló | D Major | 3 | 10B | 128 BPM | ||
| Que nunca me falte | Ricardo Tanturi y Enrique Campos | D♭ Minor | 3 | 12A | 130 BPM | ||
| Adios Buenos Aires | Orquesta Tipica Victor | E Minor | 3 | 9A | 126 BPM | ||
| Bajo El Cono Azul | Orquesta Tipica Victor | D♭ Minor | 4 | 12A | 118 BPM | ||
| La Cumparsita | Francisco Lomuto | G Minor | 3 | 6A | 121 BPM | ||
| Sin Estrellas | Nina Miranda, Donato Racciatti y Su Orquesta Típica | A Minor | 5 | 8A | 126 BPM | ||
| Hasta Siempre Amor | Orquesta Carlos di Sarli, Horacio Casares | D Minor | 4 | 7A | 61 BPM | ||
| La Madrugada | La Auténtica Milonguera | A Minor | 3 | 8A | 121 BPM | ||
| Vuelve amor | Orquesta Fulvio Salamanca, Armando Guerrico | D Major | 3 | 10B | 78 BPM | ||
| Negro carbón | Quinteto Pirincho | G Major | 3 | 9B | 110 BPM | ||
| Marion | Rodolfo Biagi, Miguel Caló, Raul Iriarte | D Major | 3 | 10B | 128 BPM | ||
| Zorro Gris | Enrique Rodriguez & His Orchestra | F♯ Minor | 2 | 11A | 120 BPM | ||
| Lloraras, lloraras | Orquesta Anibal Troilo, Floreal Ruiz | G Major | 3 | 9B | 86 BPM | ||
| Re Fa Si | La Juan D'Arienzo | A Major | 3 | 11B | 129 BPM | ||
| Viento Norte | Orquesta Tipica Victor | D Minor | 3 | 7A | 118 BPM | ||
| Mi Dolor | Julio De Caro | D Minor | 2 | 7A | 115 BPM | ||
| Trenzas | Orquesta Típica Sans Souci, Emiliano Castignola | G Minor | 3 | 6A | 127 BPM | ||
| Argañaraz | Orquesta Típica Tanturi | D Major | 3 | 10B | 142 BPM | ||
| Sinsabor | Edgardo Donato | C Major | 2 | 8B | 130 BPM |