Riley, Durrant, This Morning Call's ' "All I Leave Behind" was released on its scheduled release date, April 19, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 3 in All I Leave Behind by Riley, Durrant. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, All I Leave Behind's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of All I Leave Behind by Riley, Durrant, This Morning Call is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Blue Ribbon Blues | Gary Stewart | G Major | 5 | 9B | 120 BPM | ||
| Everyday I Have to Cry Some | Joe Stampley | F♯ Minor | 6 | 11A | 126 BPM | ||
| Draggin' Shackles | Gary Stewart | D♭ Major | 5 | 3B | 95 BPM | ||
| Seems Like Tears Ago | Jason James | B♭ Major | 4 | 6B | 108 BPM | ||
| My Own Best Friend | John Prine | G Major | 6 | 9B | 82 BPM | ||
| Blue Aura | Zechury, Riley | E♭ Major | 5 | 5B | 130 BPM | ||
| Franklin Limestone | The Charlie Daniels Band | A Major | 6 | 11B | 142 BPM | ||
| Tulsa County | Jesse Ed Davis | F Major | 6 | 7B | 120 BPM | ||
| A Real Country Song | Dale Watson | C Major | 3 | 8B | 105 BPM | ||
| Same Old Song | Kris Kristofferson | G Major | 4 | 9B | 166 BPM | ||
| Shalalaboopi | Dk Faded, Riley | D♭ Major | 6 | 3B | 95 BPM | ||
| Code | Riley, Durrant | D♭ Minor | 10 | 12A | 139 BPM | ||
| Eugene Pratt | Mason Proffit | E Minor | 5 | 9A | 133 BPM | ||
| Welcome To Goose Creek | Goose Creek Symphony | G Major | 3 | 9B | 87 BPM | ||
| Coast of Colorado | Rusty Wier | D Major | 3 | 10B | 144 BPM | ||
| Boy From Oklahoma | Willis Alan Ramsey | D Major | 3 | 10B | 128 BPM | ||
| Give 2 Fxcks | Faded Trackz, Riley | E♭ Major | 5 | 5B | 130 BPM | ||
| Jack Daniels Old #7 | Heads, Hands and Feet | B♭ Minor | 8 | 3A | 116 BPM | ||
| Broomstraw Philosophers and Scuppernong Wine | Larry Jon Wilson | F Minor | 6 | 4A | 83 BPM | ||
| No Thot | Dk Faded, Riley | D Major | 7 | 10B | 69 BPM | ||
| Who's Crying Now? | Amazing Rhythm Aces | C Major | 6 | 8B | 135 BPM | ||
| There Oughta Be a Law Against Sunny Southern California | Terry Allen, The Panhandle Mystery Band | E Major | 5 | 12B | 114 BPM | ||
| Get Out | Thatso, Riley | E♭ Major | 5 | 5B | 130 BPM | ||
| Wallflower | Doug Sahm | G Major | 3 | 9B | 147 BPM | ||
| Jägerbomb | Riley, Durrant | B Minor | 9 | 10A | 128 BPM |