"Touche Pas à Ma Reum" by Matthieu Gonet, Ben Violet had its release date on July 18, 2018. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Touche Pas à Ma Reum's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matthieu Gonet, Ben Violet's "MA REUM (Bande originale du film)" album is number 19 out of 19. On top of that, France appears to be the country where this track was created. Based on our statistics, Touche Pas à Ma Reum's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Touche Pas à Ma Reum by Matthieu Gonet, Ben Violet to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lina | Laurent Boutonnat | B♭ Minor | 1 | 3A | 109 BPM | ||
| Potremmo Scappare | Paolo Buonvino | A Minor | 2 | 8A | 132 BPM | ||
| Il Salame Rosa | Nicola Piovani | B Minor | 3 | 10A | 138 BPM | ||
| If I Know A Song Of Africa (Karen's Theme III) | John Barry | D Minor | 0 | 7A | 81 BPM | ||
| L'homme parfait pour toi | Gabriel Yared | G Minor | 1 | 6A | 95 BPM | ||
| L'exécution | Matthieu Gonet, Sylvain Goldberg, Lise Orivel | D Minor | 2 | 7A | 76 BPM | ||
| VARIATION AUTOUR D'UN PRÉLUDE - Anatomie d'une chute | Benoît Daniel | A Minor | 1 | 8A | 62 BPM | ||
| Polka della Liberazione | Paolo Buonvino | A Major | 2 | 11B | 84 BPM | ||
| Poszukiwanie Marysi / Areszt | Paweł Lucewicz | E Minor | 3 | 9A | 95 BPM | ||
| Missing The Light | Brice Davoli | D Minor | 1 | 7A | 177 BPM | ||
| Ballade printanière pour alto par François-Stephan Pregonard | Matthieu Gonet | F Major | 4 | 7B | 78 BPM | ||
| La dispute | Laurent Perez Del Mar | C Major | 5 | 8B | 130 BPM | ||
| Don Fabrizio | Paolo Buonvino | A Major | 2 | 11B | 84 BPM | ||
| The Dressmaker Opening Titles | David Hirschfelder | G Minor | 2 | 6A | 93 BPM | ||
| Ghostly hope | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Les lutins malades | Matthieu Gonet | A♭ Minor | 1 | 1A | 123 BPM | ||
| Les existences | Matthieu Gonet | C Minor | 1 | 5A | 74 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Symphonie No. 1 en re majeur: III. Feierlich und gemessen, ohne zu schleppen (Extrait) | Budapest Symphony Orchestra | A Minor | 0 | 8A | 125 BPM | ||
| Quelque part sous la neige | Matthieu Gonet | F Major | 1 | 7B | 136 BPM | ||
| Inganno Suite | Andrea Guerra | D Minor | 3 | 7A | 111 BPM | ||
| Perdutamente | Andrea Guerra | F Minor | 2 | 4A | 89 BPM | ||
| Albert Wears the Crown | Ruth Barrett, David Schweitzer | A Minor | 4 | 8A | 65 BPM | ||
| If (From "The Diary of Anne Frank") | Esther Abrami, The City of Prague Philharmonic Orchestra, Ben Palmer, Michael Nyman | G Major | 1 | 9B | 96 BPM | ||
| Le lever du Roi | Stephen Warbeck | G Major | 2 | 9B | 133 BPM |