Heinz Störrle, Das Rennquintett, Rundfunkorchester des Süwestfunks, Christoph Eberle's ' "Lento - Allegro giocoso - Lento" was released on its scheduled release date, 1996. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. There is only one song in 5 out of 49, so we believe that "Lento - Allegro giocoso - Lento" is a single. In terms of popularity, Lento - Allegro giocoso - Lento is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Lento - Allegro giocoso - Lento by Heinz Störrle, Das Rennquintett, Rundfunkorchester des Süwestfunks, Christoph Eberle is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coming Back for My Prison | Valhalla Orquestra, Bernard Canllant | D♭ Major | 8 | 3B | 166 BPM | ||
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 80 BPM | ||
| Tuba Suite: I. Allegro maestoso | Don Haddad, David Zerkel, Paolo Andre Gualdi | D Major | 1 | 10B | 144 BPM | ||
| J.S. Bach: Arioso | St. Louis Brass Quintet | F Major | 0 | 7B | 173 BPM | ||
| Winter | Paradox Interactive | G Major | 0 | 9B | 57 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Serenade No. 10 in B-flat Major, K. 361 "Gran partita": VII. Finale. Molto allegro | Wolfgang Amadeus Mozart, LSO Wind Ensemble | B♭ Major | 2 | 6B | 133 BPM | ||
| Saint-Saëns: Danse macabre, Op. 40 | Camille Saint-Saëns, Leopold Stokowski, Sidney Sax, National Philharmonic Orchestra | E♭ Major | 2 | 5B | 107 BPM | ||
| Appalachian Spring: Simple Gifts | Aaron Copland, Nashville Chamber Orchestra, Various Artists | D♭ Major | 1 | 3B | 88 BPM | ||
| Hurdy-Gurdy: I. Moderato (From "Tagessterne") | Alfred Schnittke, Rundfunk-Sinfonieorchester Berlin, Frank Strobel | G Minor | 0 | 6A | 93 BPM | ||
| Symphony No. 9: IVe. Stets sehr gehalten - Live at Philharmonie, Berlin, 1982 | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 82 BPM | ||
| Swan Lake, Op. 20 - Mariinsky Version / Act 2: Scène: (Allegro - Allegro giusto) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | D Major | 4 | 10B | 167 BPM | ||
| リーダーに続け(ピーター・パン) - 『ピーター・パン』より | オリバー・ウォレス, ネバーランド オーケストラ | A♭ Major | 4 | 4B | 180 BPM | ||
| Symphonic Suite, Op. 53a, "Gloriana": Courtly Dance No. 5: Galliard (Version for orchestra) | Benjamin Britten, Osian Ellis, Keiron Moore, London Symphony Orchestra, Steuart Bedford | G Major | 0 | 9B | 69 BPM | ||
| Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
| Don Quixote: Act II: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Minor | 0 | 6A | 56 BPM | ||
| Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, LSO Wind Ensemble | E♭ Major | 0 | 5B | 65 BPM | ||
| Welcome to the Cat Business Office | Yuji Nomi | E Minor | 2 | 9A | 82 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VIIIa. Catacombae "Sepulcrum romanum" | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
| 58 - Sou crente em Jesus | Orquestra Sacra | D Major | 1 | 10B | 138 BPM | ||
| The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
| Saint Agnes And The Burning Train | Mnozil Brass | E Minor | 1 | 9A | 121 BPM | ||
| Serenade for 13 Wind Instruments in E flat major, Op. 7 | Richard Strauss, François Leleux | E♭ Major | 0 | 5B | 70 BPM | ||
| Slavonic Dance No. 10 in E Minor, Op. 72, No. 2 | Antonín Dvořák, Slovak Philharmonic, Zdeněk Košler | E Minor | 2 | 9A | 150 BPM | ||
| Antiche danze ed arie per liuto, Suite III, P. 172: 2. Arie di corte. Andante cantabile-Allegretto-Vivace-Lento con grande espressione-Allegro vivace-Vivacis- simo-Andante cantabile | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 58 BPM |