"Serenade for 13 Wind Instruments in E flat major, Op. 7" by Richard Strauss, François Leleux had its release date on August 23, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "R. Strauss: Oboe Concerto". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Serenade for 13 Wind Instruments in E flat major, Op. 7 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade for 13 Wind Instruments in E flat major, Op. 7 by Richard Strauss, François Leleux having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade for 13 Wind Instruments in E flat major, Op. 7 | Richard Strauss, François Leleux | E♭ Major | 0 | 5B | 70 BPM | ||
| Symphony No. 3 in D Minor, WAB 103 (1873 Version): III. Scherzo. Ziemlich schnell – Trio. Gleiches Zeitmaß – Scherzo da capo | Anton Bruckner, Berliner Philharmoniker, Herbert Blomstedt | F Major | 2 | 7B | 136 BPM | ||
| Due Tramonti (Arr. for Euphonium & Piano by Anonymous) | Ludovico Einaudi, David Childs, Christopher Williams | F Major | 0 | 7B | 69 BPM | ||
| Organ Concerto in G Minor, FP 93: III. Andante moderato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Major | 0 | 3B | 79 BPM | ||
| Humming | Matthias Werner, Federspiel | D Major | 1 | 10B | 85 BPM | ||
| Oboe Concerto in E-Flat Major | Vincenzo Bellini, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 0 | 6B | 118 BPM | ||
| Ibert: 3 Pièces brèves: II. Andante | Jacques Ibert, Les Vents Français, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 0 | 4B | 61 BPM | ||
| Nonette Pour Cordes Et Vents en Mi Bémol Majeur: II. Andante con moto | Louise Farrenc, Vincent Pasquier, Miguel Da Silva, Philippe Bernold, André Cazalet, Guillaume Sutre, François Leleux, Romain Guyot, Gilbert Audin, François Salque | B♭ Major | 1 | 6B | 116 BPM | ||
| Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM | ||
| Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": IV. Allegro di molto | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 2 | 9A | 117 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Don Quixote, Op. 35: II. Don Quixote, the Knight of the Sorrowful Countenance – III. Sancha Panza. Maggiore | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 206 BPM | ||
| Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 122 BPM | ||
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
| 14 Songs, Op. 34: No. 14, Vocalise (Arr. M. McHale for Flute, Clarinet & Piano) | Sergei Rachmaninoff, McGill / McHale Trio | D♭ Minor | 0 | 12A | 66 BPM | ||
| Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM | ||
| Viola Sonata: I. Impetuoso | Rebecca Clarke, Tabea Zimmermann, Kirill Gerstein | C Minor | 1 | 5A | 65 BPM | ||
| Mahler: Symphony No. 10 in F-Sharp Major: III. Purgatorio. Allegro moderato (1972 Cooke Version) | Gustav Mahler, Sir Simon Rattle, Bournemouth Symphony Orchestra | F Minor | 1 | 4A | 179 BPM | ||
| Bartók: Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Béla Bartók, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | B Major | 0 | 1B | 105 BPM | ||
| Horn Concerto No. 2 in D major, Hob. VIId:4: 1. Allegro moderato | Joseph Haydn, Hermann Baumann, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 74 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
| Sibelius: Andante festivo (Orchestral Version) | Jean Sibelius, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 169 BPM | ||
| English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM |