Edward Elgar, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra's ' "Serenade for String Orchestra, Op. 20: II. Larghetto" was released on its scheduled release date, March 29, 2019. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The song is number 3 out of 19 in Elgar: Enigma Variations, In the South, Serenade for Strings by Edward Elgar, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra. In terms of popularity, Serenade for String Orchestra, Op. 20: II. Larghetto is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Serenade for String Orchestra, Op. 20: II. Larghetto by Edward Elgar, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liszt: 6 Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Mariam Batsashvili | D♭ Major | 0 | 3B | 75 BPM | ||
| The Watermill | Ronald Binge, New London Orchestra, Ruth Scott, Ronald Corp | B♭ Major | 1 | 6B | 71 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Simon Trpčeski, Vasily Petrenko | E Major | 0 | 12B | 67 BPM | ||
| Serenade for Strings in E Minor, Op. 20: 3. Allegretto | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 87 BPM | ||
| Violin Concerto No. 4 in D Major: IIi. Rondeau Allegretto | Chevalier J.J.O. De Meude-Monpas, Rachel Barton Pine, Encore Chamber Orchestra | D Major | 1 | 10B | 139 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
| Egmont, Op. 84: Overture | Ludwig van Beethoven, Gewandhausorchester, Riccardo Chailly | F Minor | 2 | 4A | 171 BPM | ||
| Dvorak: Violin Concerto in A Minor, Op. 53, B. 108: III. Allegro giocoso, ma non troppo: | Antonín Dvořák, Augustin Hadelich, Jakub Hrůša, Bavarian Radio Symphony Orchestra | A Major | 2 | 11B | 91 BPM | ||
| Clair de lune, CD 82/3 (Arr. Koncz) | Claude Debussy, Ray Chen, Made in Berlin | D♭ Major | 0 | 3B | 85 BPM | ||
| Piano Concerto in A Minor, Op. 7: 3. Allegro non troppo | Clara Schumann, Isata Kanneh-Mason, Royal Liverpool Philharmonic Orchestra, Holly Mathieson | A Minor | 2 | 8A | 113 BPM | ||
| Piano Quintet in A Major, Op. 114, D 667 - "The Trout": IV. Thema - Andantino - Variazioni I-V - Allegretto | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | D Major | 1 | 10B | 84 BPM | ||
| Yellow Cake Revue, J. 166: III. Farewell to Stromness | Peter Maxwell Davies | D Major | 0 | 10B | 66 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 0 | 5B | 191 BPM | ||
| Montgomery Variations: IV. Dawn in Dixie | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 168 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon (Instrumental Version) | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | ||
| A Village Romeo and Juliet, Music Drama in six scenes - Arr. Beecham: The Walk To The Paradise Garden | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 83 BPM | ||
| The Godfather: Main Title Theme (Arr. C. Davis) | Royal Liverpool Philharmonic Orchestra, Carl Davis | C Major | 2 | 8B | 76 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod" | Edward Elgar, Adelaide Symphony Orchestra, David Stanhope | E♭ Major | 1 | 5B | 89 BPM | ||
| Korngold: Die tote Stadt, Op. 12, Act I: Lied. "Glück, das mir verblied" (Marietta) [Arr. for Trumpet] | Erich Wolfgang Korngold, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | B♭ Major | 1 | 6B | 71 BPM | ||
| Suite No. 1, Op. 13: III. Nocturne | New Zealand Symphony Orchestra, Jules Massenet | A♭ Major | 0 | 4B | 85 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Koanga / Act 2: La Calinda | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 90 BPM | ||
| 10 Woodland Sketches, Op. 51: No. 1 To a Wild Rose (Orchestrated by Thomas Frost) | Edward MacDowell, Eugene Ormandy, Philadelphia Orchestra | A Major | 2 | 11B | 80 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM |