Rattan Mohan Sharma's ' "Stuti - Sloka 1 and Sloka 2" was released on its scheduled release date, March 7, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pandit Jasraj's "Gayatri" album is number 4 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Stuti - Sloka 1 and Sloka 2's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Stuti - Sloka 1 and Sloka 2 by Rattan Mohan Sharma to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sivastakam | RG Sarathee, Sravya Attili, Dr. Radhagopee, Traditional | C Major | 5 | 8B | 80 BPM | ||
| Bhagya Sooktham | Yashasvi Ramakrishna Sharma, N. V. Krishnan, P. Krishnan | D Major | 3 | 10B | 120 BPM | ||
| Saanj Savere Hari Hari | Rattan Mohan Sharma | E♭ Minor | 5 | 2A | 95 BPM | ||
| Ganapati Stotraa | Rajendra Vaishampayan & Natasha Dias | A♭ Major | 3 | 4B | 170 BPM | ||
| Taal Mrudung Garjati-Abhang | Samir Rama Kadam | D Major | 9 | 10B | 111 BPM | ||
| Sri Saci Sutastakam | Kirtan Lounge, Bhakti Charu Swami | G Major | 3 | 9B | 140 BPM | ||
| Suryopanishad Atha Surya Atahrva | Sri Sathya Sai Official | D Major | 2 | 10B | 152 BPM | ||
| Shiv Swarnamala Stuti | Trupti Dave, Naisha Joshi, Mayur Vaghela | B♭ Minor | 9 | 3A | 105 BPM | ||
| Guruvandanam | Prasath Sai, Kumari Chaitra, Vijaya Lakshmi | G Major | 2 | 9B | 130 BPM | ||
| Sri Ganesha Ashtotharam | Shivashankar Bhat, Venkatesha Bhat | F Major | 4 | 7B | 125 BPM | ||
| Deham | Grihsam | E♭ Minor | 1 | 2A | 80 BPM | ||
| Naag Shanti Stotram | Mangesh Borgaonkar | G Major | 7 | 9B | 96 BPM | ||
| Deva Deva | P. B. Sreenivas, P Shusheela, B.K. Sumitra, K Yuvraj | D Minor | 6 | 7A | 142 BPM | ||
| Shree Pragyavivardhanam Mantra | Rekha Bhardwaj, Rattan Mohan Sharma | B♭ Major | 4 | 6B | 180 BPM | ||
| Aditya Hrudayam | Shankara Sastry | B Major | 3 | 1B | 82 BPM | ||
| Sukh Paya Rahmat Teri | Morari Bapu | D♭ Minor | 3 | 12A | 108 BPM | ||
| Bilvashtakam | Rattan Mohan Sharma | F♯ Major | 4 | 2B | 92 BPM | ||
| enCHANTment | Melody 7 | Mayuri Gandharvika | E♭ Minor | 4 | 2A | 105 BPM | ||
| Hare Krishna 3 - Original | Debjit, Bitu Samajpati, NA | B Minor | 8 | 10A | 136 BPM | ||
| Ashtothara Shatanama Stotram | Prasath Sai, Prakash Kumar | B♭ Major | 3 | 6B | 88 BPM | ||
| Bhusundi Paath | Morari Bapu | D♭ Minor | 5 | 12A | 137 BPM | ||
| Japji Sahib Pauri 17 - 19 (Asankh Jap Tu Sada Salamt Nirkaar) | The Sikh Foundation | B♭ Major | 2 | 6B | 173 BPM | ||
| Sri Hanuman Chalisa | Divine Life Society of South Africa | F Minor | 6 | 4A | 80 BPM | ||
| Bhagavad Gita, Pt. 17 - Shraddhatraya Vibhaga Yoga | Pt. Ved Prakash Phondani | F Major | 4 | 7B | 89 BPM | ||
| Siva Panchaksharam | M.Ramani Sastrigal | A♭ Major | 6 | 4B | 74 BPM |