Ernest John Moeran, Norman Del Mar, Bournemouth Sinfonietta, Raphael Wallfisch's ' "Cello Concerto, R. 89: II. Adagio" was released on its scheduled release date, May 1, 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ernest John Moeran, Norman Del Mar, Bournemouth Sinfonietta, Raphael Wallfisch's "Moeran: Cello Concerto & Sinfonietta" album is number 2 out of 6. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Cello Concerto, R. 89: II. Adagio is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Cello Concerto, R. 89: II. Adagio by Ernest John Moeran, Norman Del Mar, Bournemouth Sinfonietta, Raphael Wallfisch to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
| Lux aeterna (Arr. for Viola & Piano by Dana Dörken and Adrien La Marca) | Nadia Boulanger, Danae Dörken, Adrien La Marca | F Major | 0 | 7B | 82 BPM | ||
| Requiem, Op. 9: VII. Lux Aeterna (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | B♭ Major | 0 | 6B | 144 BPM | ||
| Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | G Major | 2 | 9B | 134 BPM | ||
| Montgomery Variations: V. One Sunday in the South | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Major | 0 | 10B | 86 BPM | ||
| Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): V. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger | G Minor | 0 | 6A | 91 BPM | ||
| Adriana Lecouvreur, Act 2: Intermezzo | Francesco Cilea, Opera Australia Orchestra, Andrea Molino | F Major | 0 | 7B | 124 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM | ||
| Sea Pictures: IV. Nocturne "Song of the Watch" | Uuno Klami, Turku Philharmonic Orchestra, Jorma Panula | D Minor | 0 | 7A | 75 BPM | ||
| Liederkreis, Op. 39: No. 5, Mondnacht (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Sinfonia da Pacifica: 2. Recitativo. Lento tranquillo | Peggy Glanville-Hicks, Richard Mills, Tasmanian Symphony Orchestra | B Minor | 1 | 10A | 70 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | G Major | 2 | 9B | 134 BPM | ||
| 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | E♭ Major | 0 | 5B | 94 BPM | ||
| Symphony No. 6 in D Major, Op. 104: IV. Allegro molto - Allegro assai - Doppio più lento | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | ||
| The Light of the Night | Darius Lim, Gabriel Lee, Voices of Singapore Children’s Choir, Donald Law | A Minor | 2 | 8A | 71 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Suite: Graceful Dance | Ernest Tomlinson, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 3 | 10B | 133 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Gammal fabodpsalm fran Dalarna: No. 1 in A Major (arr. J. Johansson for orchestra) [Old Pastoral Hymn from Dalecarlia] | Wilhelm Stenhammar, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | A Major | 2 | 11B | 85 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM | ||
| Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | ||
| Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM |