On July 3, 2001, the song "Bhajna Se Laage Meera Meethi" was released by Rajkumar Swami. This song appears to be safe for all ages as it is not explicit. The track order of this song in Rajkumar Swami's "Meera Bai Ke Bhajan" album is number 6 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Bhajna Se Laage Meera Meethi's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Bhajna Se Laage Meera Meethi by Rajkumar Swami to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kugati Hamari Kya Hoyi Hai | Brijesh Kumar Shastri | B♭ Major | 7 | 6B | 138 BPM | ||
| Raychand Ji | Ray Chand, Champa Methi | D Minor | 9 | 7A | 110 BPM | ||
| Jija Menea Ladea Bali | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | D Major | 5 | 10B | 142 BPM | ||
| Hamato Hila Hila Ke Hari | Jaysingh raja, jyoti Kushvah | F♯ Major | 8 | 2B | 132 BPM | ||
| Dhola Chaanjla | Atta Ullah Khan Esakhelvi | F♯ Major | 7 | 2B | 110 BPM | ||
| Mara Ramadhani | Lalita Dhodadra | A♭ Major | 7 | 4B | 101 BPM | ||
| Hath Pakar Bethaliya | Hariram Gujjar | B Minor | 9 | 10A | 152 BPM | ||
| सबल सिंह बाबा के साथ माता काली की पैड़ी। Baba Sabal Singh ki Paidi। Mata Madanan। Ravi Rajesh Party | Raju Saini, Guga Jaharpeer Status Dharamgarh | A♭ Major | 9 | 4B | 86 BPM | ||
| Buri Hoilam Tor Karone | Momtaz | A Minor | 8 | 8A | 164 BPM | ||
| Jindgi Me Jahar | Anupama Yadav, Golu Raja | E♭ Minor | 6 | 2A | 85 BPM | ||
| Aakhri Do Bol Gori | Koshinder Khadana | F Minor | 7 | 4A | 146 BPM | ||
| Honde Putt Shaheed Na | Gurbaksh Singh Albela, Baldev Singh Billu, Jaswant Singh Diwana | E♭ Minor | 9 | 2A | 98 BPM | ||
| Kavne Dariya Soheli Koiliya | Bechan Ram Rajbhar | C Minor | 5 | 5A | 160 BPM | ||
| Majva Udave Raja | Ramkhilawan | B Major | 9 | 1B | 146 BPM | ||
| Mare Mele Me Najariya | Naresh Gurjar | E Major | 9 | 12B | 118 BPM | ||
| Aadhi - Aadhi Ratiya Ke | Madan Rai | A♭ Major | 7 | 4B | 106 BPM | ||
| Mere Saath Ko Verna Re Mero Khulo Naseeb | Brijesh Kumar Shastri | E Minor | 7 | 9A | 79 BPM | ||
| Sona Bondhu re | Basudev Rajbongshi | D Major | 8 | 10B | 165 BPM | ||
| Thari Aatma Re Daag Bhajan Marwadi | Rajkumar Swami | F Minor | 9 | 4A | 111 BPM | ||
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| Mili Hai Mohe Tagdi Nari | Brijesh Shastri | B♭ Minor | 5 | 3A | 112 BPM | ||
| Patne Sehar Ch | Biba Amarjot, Amar Singh Chamkila | A♭ Major | 6 | 4B | 85 BPM | ||
| Kati Kate Na Suni Ratiya | JaiSingh Raja, Rani Kushwaha | F♯ Minor | 3 | 11A | 129 BPM | ||
| Nirgun bhajan suresh awasthi 1to04 - hindi | Suresh CHANDRA | B♭ Major | 7 | 6B | 104 BPM | ||
| Raja Piy Jani Gaanja Ho Kharaab Ho Jaibai | Bharat Sharma Vyas | C Minor | 7 | 5A | 146 BPM |