"La traviata / Act 2: "Ah, vive sol quel core"" by Giuseppe Verdi, Rolando Villazón, Dritan Luca, Wilhelm Schwinghammer, Wiener Philharmoniker, Carlo Rizzi had its release date on January 1, 2005. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. La traviata / Act 2: "Ah, vive sol quel core"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker. The song's track number on the album is #20 out of 38 tracks. La traviata / Act 2: "Ah, vive sol quel core" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata / Act 2: "Ah, vive sol quel core" by Giuseppe Verdi, Rolando Villazón, Dritan Luca, Wilhelm Schwinghammer, Wiener Philharmoniker, Carlo Rizzi has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act 2: "Ah, vive sol quel core" being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La fanciulla del West, SC 78: Ch'ella mi creda | Giacomo Puccini, Jonathan Tetelman, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Major | 2 | 2B | 96 BPM | ||
| La Bohème / Act 4: "In un Coupé?....O Mimi, tu piu non torni" | Giacomo Puccini, Ettore Bastianini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | C Major | 2 | 8B | 171 BPM | ||
| La traviata / Act II: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 88 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| Verdi: Aida, Act 2: "O Re, pei sacri numi" (Radamès, Il Re, Amneris, Coro, Ramfis) | Giuseppe Verdi, Riccardo Muti, Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Luigi Roni, Nicolai Ghiaurov, Plácido Domingo, New Philharmonia Orchestra | F♯ Major | 2 | 2B | 87 BPM | ||
| Gianni Schicchi: "Ai miei cugioni Zita e Simone" | Giacomo Puccini, Ewa Podles, Enrico Fissore, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 0 | 8B | 97 BPM | ||
| Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Edita Gruberova, Wiener Staatsopernchor, Wiener Philharmoniker, André Previn | D Major | 2 | 10B | 97 BPM | ||
| La traviata / Act 2: "Non sapete quale affetto" | Giuseppe Verdi, Anna Netrebko, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | F Minor | 1 | 4A | 86 BPM | ||
| Requiem: IIg. Recordare | Giuseppe Verdi, Mirella Freni, Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 77 BPM | ||
| Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Presto presto..Tra quest'arbori..Bisogna aver corragio | Wolfgang Amadeus Mozart, Konstantin Wolff, Mojca Erdmann, Ildebrando D'Arcangelo, Joyce DiDonato, Rolando Villazón, Diana Damrau, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | F Major | 1 | 7B | 175 BPM | ||
| Falstaff / Act I: "Alice" - "Meg" - "Nannetta" | Giuseppe Verdi, Stella Doufexis, Adrianne Pieczonka, Larissa Diadkova, Dorothea Röschmann, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| Nabucco / Act 2: Chi mi toglie il regio scettro! | Giuseppe Verdi, Piero Cappuccilli, Yevgeny Nesterenko, Ghena Dimitrova, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A♭ Major | 2 | 4B | 83 BPM | ||
| Otello / Act 1: Già nella notte densa (Love Duet) | Giuseppe Verdi, Plácido Domingo, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | C Major | 1 | 8B | 175 BPM | ||
| Così fan tutte, K. 588 / Act II: "Secondate, aurette amiche" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin, Vocalensemble Rastatt | E♭ Major | 0 | 5B | 81 BPM | ||
| Falstaff: Act III: Una, due, tre .... | Giuseppe Verdi, Anna Bonitatibus, Maurizio Comencini, Alessandro Cosentino, Franco de Grandis, Dilber, Enrico Facini, Julia Faulkner, Anna Maria di Micco, Roberto Servile, Domenico Trimarchi, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Will Humburg | D♭ Major | 0 | 3B | 82 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 115 BPM | ||
| Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM | ||
| La Bohème / Act 1: "Si può" - Live | Giacomo Puccini, Rolando Villazón, Boaz Daniel, Stéphane Degout, Vitalij Kowaljow, Tiziano Bracci, Bavarian Radio Symphony Orchestra, Bertrand de Billy | D♭ Major | 1 | 3B | 91 BPM | ||
| Madama Butterfly / Act 2: C'è. Entrate | Giacomo Puccini, Robert Kerns, Michel Sénéchal, Mirella Freni, Giorgio Stendoro, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 68 BPM | ||
| Puccini: Turandot, Act 1: "Ah! per l'ultima volta!" (Timur, Liù, Coro, Calaf, Ping) | Giacomo Puccini, Francesco Molinari-Pradelli, Bonaldo Giaiotti, Coro Del Teatro Dell'Opera Di Roma, Franco Corelli, Franco Ricciardi, Giuseppe Morresi, Guido Mazzini, Piero de Palma, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Minor | 5 | 2A | 94 BPM | ||
| Lohengrin, WWV 75 / Act I: Des Ritters will ich wahren | Richard Wagner, Cheryl Studer, Kurt Moll, Andreas Schmidt, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | A Major | 5 | 11B | 137 BPM | ||
| La traviata, Act II: Imponete – Non amarlo ditegli | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 79 BPM | ||
| Die Fledermaus / Act 2: "Genug damit, genug" | Johann Strauss II, Brigitte Fassbaender, Olaf Bär, Kiri Te Kanawa, Karin Gottling-Poltner, Edita Gruberova, Wolfgang Brendel, Tom Krause, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | G Major | 3 | 9B | 64 BPM |