"Serenade for Four Flutes: V. Alla Marcia" by Ingolf Dahl, Gretchen Pusch, Rie Schmidt, Peter Bacchus, Wendy Stern had its release date on January 1, 2007. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 16 in Flute Force by Wendy Stern, Rie Schmidt, Gretchen Pusch, Peter Bacchus. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Serenade for Four Flutes: V. Alla Marcia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade for Four Flutes: V. Alla Marcia by Ingolf Dahl, Gretchen Pusch, Rie Schmidt, Peter Bacchus, Wendy Stern is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| John Mackey: Fanfare for Full Fathom Five | Columbus State University Wind Ensemble, Jamie L. Nix | E♭ Major | 4 | 5B | 73 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: II. Allegro moderato | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | D Minor | 1 | 7A | 132 BPM | ||
| Lincolnshire Posy: IV. The Brisk Young Sailor | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Fire Dance | Anthony DiLorenzo, Center City Brass Quintet | C Major | 2 | 8B | 161 BPM | ||
| Blind Spot | Epic Euphoniums Project, Gilles Rocha, Michal Worek | B♭ Major | 1 | 6B | 145 BPM | ||
| Colors: II. Red | Bert Appermont, Columbus State University Wind Ensemble, Joseph Alessi, Robert W. Rumbelow | F Major | 3 | 7B | 86 BPM | ||
| Philip Sparke: Harlequin | Philip Sparke, Robbert Vos | A♭ Major | 2 | 4B | 89 BPM | ||
| Grieg: The Mountain Maid, Op. 67: No. 3, Blueberry Slope (Transcr. for Trumpet and Piano) | Edvard Grieg, Tine Thing Helseth, Håvard Gimse | F Major | 1 | 7B | 106 BPM | ||
| American Hymnsong Suite: III Scherzo On Nettleton | Dwayne S. Milburn, The University of Southern Mississippi Wind Ensemble, Thomas V. Fraschillo | E♭ Major | 2 | 5B | 50 BPM | ||
| Job, Scene I: Introduction - Pastoral Dance - Satan's Appeal to God - Saraband of the Sons of God | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | G Minor | 0 | 6A | 129 BPM | ||
| Trittico: III. Allegro marcato | Václav Nelhýbel, Dallas Wind Symphony, Frederick Fennell | G Minor | 3 | 6A | 81 BPM | ||
| Quintet No. 1, Op. 73: I. Allegro vivace | Malcolm Arnold, Berlin Brass Quintet | B♭ Major | 1 | 6B | 150 BPM | ||
| Give Us This Day: I. Moderately slow | David Maslanka, University of New Hampshire Wind Symphony, Andrew Boysen, Jr. | G Major | 0 | 9B | 68 BPM | ||
| Steampunk Suite (Version for Concert Band): III. Bertie Wells Attends Mr. Verne's Lecture on Flying Machines | Erika Svanoe, University of New Hampshire Wind Symphony, Andrew Boysen, Jr. | A♭ Major | 3 | 4B | 138 BPM | ||
| Saxophone Sonata in C-Sharp Major: I. Tres modéré, expressif | Fernande Decruck, Claude Delangle, Odile Delangle | E Major | 0 | 12B | 107 BPM | ||
| Concerto for Wind Ensemble: II. Riff | Kevin Day, ASU Wind Ensemble, Jason Caslor | G Minor | 5 | 6A | 75 BPM | ||
| Romance, Op. 21. Moderato | Axel Jørgensen, Jörgen Van Rijen, Alla Libo | D Major | 0 | 10B | 136 BPM | ||
| Out Of Africa | John Barry, Vienna Horns | D Minor | 0 | 7A | 67 BPM | ||
| Trombone Concerto: I. Moderato assai ma molto maestoso (1st Version) | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | D♭ Major | 0 | 3B | 120 BPM | ||
| Sleep | Eric Whitacre, Northwestern University Symphonic Wind Ensemble, Mallory Thompson | C Minor | 0 | 5A | 68 BPM | ||
| Infernal Dance Of All Kashei's Subjects | Mnozil Brass | G Major | 1 | 9B | 83 BPM | ||
| Scootin' on Hardrock | David Holsinger, University of North Texas Symphonic Band, Dennis Fisher | E♭ Major | 0 | 5B | 84 BPM | ||
| Arutiunian: Trumpet Concerto: II | Alexander Arutiunian, Gert Skovlod Hattesen, Christian Lindberg, Prince of Denmark Air Force Band | A Major | 0 | 11B | 67 BPM | ||
| Concerto for Alto Saxophone and Wind Band: II. Adagio (Passacaglia) | Ingolf Dahl, José Rafael Pascual-Vilaplana, Sandro Blank, Aulos Sinfonisches Blasorchester | G Major | 0 | 9B | 62 BPM | ||
| Penombra | Alessandro Gozzo, Cats Rule the World | C Major | 3 | 8B | 127 BPM |