"Symphony No. 2 in One Movement, Op. 30: II. Allegro moderato" by Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales had its release date on September 1, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales's "Gipps: Symphonies Nos. 2 & 4, Song for Orchestra & Knight in Armour" album is number 7 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Symphony No. 2 in One Movement, Op. 30: II. Allegro moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2 in One Movement, Op. 30: II. Allegro moderato by Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | E♭ Major | 0 | 5B | 94 BPM | ||
| Adoration (Arr. Gray for Violin & Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 74 BPM | ||
| Brook Green Suite: Air | Gustav Holst, Royal Ballet Sinfonia, David Lloyd-Jones | E Minor | 1 | 9A | 78 BPM | ||
| Overture: Overture | Grażyna Bacewicz, BBC Symphony Orchestra, Sakari Oramo | B Major | 0 | 1B | 112 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| Brian: Symphony No. 7 in C Major: I. Allegro moderato | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | C Major | 1 | 8B | 81 BPM | ||
| Fontane di Roma, P. 106: IV. La fontana di Villa Medici al tramonto | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F♯ Minor | 0 | 11A | 61 BPM | ||
| Walton: Henry V: Passacaglia "The Death of Falstaff" | William Walton, Douglas Boyd, Chamber Orchestra of Europe | E Minor | 0 | 9A | 86 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Schubert: Rosamunde, Op. 26, D. 797: Entr'acte III | Franz Schubert, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 3 | 8B | 115 BPM | ||
| Suite from The Victorian Kitchen Garden: III. Mists | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | G Minor | 0 | 6A | 66 BPM | ||
| Symphony No. 4, Op. 61: II. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | D♭ Major | 0 | 3B | 74 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| Quintet for Oboe, Clarinet & String Trio, Op. 16: II. Adagio | Ruth Gipps, Peter Cigleris, Gareth Hulse, John Mills, Lydia Lowndes-Northcott, Bozidar Vukotic | A Major | 0 | 11B | 80 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Piano Concerto No. 2 in F, Op. 102: 2. Andante | Dmitri Shostakovich, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | C Minor | 0 | 5A | 72 BPM | ||
| Elegy for Cello and Orchestra | John Williams, Berliner Philharmoniker, Bruno Delepelaire | G Major | 5 | 9B | 102 BPM | ||
| Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 89 BPM | ||
| Sinfonia da Pacifica: 2. Recitativo. Lento tranquillo | Peggy Glanville-Hicks, Richard Mills, Tasmanian Symphony Orchestra | B Minor | 1 | 10A | 70 BPM | ||
| Symphony No. 3 in E-Flat Major, Op. 20 "1st of May": Ib. Andante | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | F Major | 0 | 7B | 87 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM |