"Quintet for Oboe, Clarinet & String Trio, Op. 16: II. Adagio" by Ruth Gipps, Peter Cigleris, Gareth Hulse, John Mills, Lydia Lowndes-Northcott, Bozidar Vukotic had its release date on September 17, 2021. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The track order of this song in Ruth Gipps, Peter Cigleris, Duncan Honeybourne, Gareth Hulse, Tippett Quartet's "Gipps: Clarinet Chamber Music" album is number 4 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Quintet for Oboe, Clarinet & String Trio, Op. 16: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quintet for Oboe, Clarinet & String Trio, Op. 16: II. Adagio by Ruth Gipps, Peter Cigleris, Gareth Hulse, John Mills, Lydia Lowndes-Northcott, Bozidar Vukotic to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Danzas fantásticas, Op. 22: I. Exaltación | Joaquín Turina, Juanjo Mena, BBC Philharmonic | E Minor | 0 | 9A | 129 BPM | ||
| Vaughan Williams: 3 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre (Arr. Foster for String Orchestra) | Ralph Vaughan Williams, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Concerto in F Minor, Op. 5 "Grand": II. Andante pastorale | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | B♭ Major | 0 | 6B | 119 BPM | ||
| Japanese Suite, Op. 33, H. 126: VI. Finale. Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Miniature Dance Suite, Op. 124: Jig | Cecil Armstrong Gibbs, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 71 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| 2 Sketches: A Northern Song | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 1 | 9A | 113 BPM | ||
| Stille Musik: III. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
| Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): III. Bolero, "This is New" | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
| Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 118 BPM | ||
| Concert Suite from "Henry V": Touch her soft lips, and part | William Walton, Bournemouth Symphony Orchestra, Andrew Litton | E Minor | 0 | 9A | 71 BPM | ||
| 3 Portraits From England Of Elizabeth: Poet | RTE Concert Orchestra, Ralph Vaughan Williams | A Minor | 0 | 8A | 87 BPM | ||
| Come away, come away death, Op.18, No.1 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Minor | 1 | 9A | 109 BPM | ||
| Ancient Airs And Dances, Suite No.1, [P. 109]: 3. Villanella | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | B Minor | 0 | 10A | 86 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Bethlehem Down (Arr. P. Lane) | Peter Warlock, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 67 BPM | ||
| Symphony No. 5, Op. 64: III. Scherzo. Allegro | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F♯ Minor | 1 | 11A | 81 BPM | ||
| Suk: Serenade for Strings in E-Flat Major, Op. 6: I. Andante con moto - Più mosso | Josef Suk, London Chamber Orchestra, Christopher Warren-Green | G Minor | 1 | 6A | 113 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| Symphony No. 4 in D Minor: II. Andante cantabile | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 63 BPM | ||
| On Hearing The First Cuckoo In Spring | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | G Major | 0 | 9B | 109 BPM | ||
| Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM |