On January 18, 1993, the song "Ganja Piye" was released by Tara Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Bol Na Kadejau by Tara Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Ganja Piye is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ganja Piye by Tara Rani is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hey Chhathi Maiya | Sharda Sinha | A♭ Major | 6 | 4B | 145 BPM | ||
| Marana Bandarenu Sittilla | C. Ashwath | F♯ Major | 4 | 2B | 92 BPM | ||
| Na Kar Bhulia Meri Meri | Sain Zahoor Ahmed | F Minor | 10 | 4A | 176 BPM | ||
| Majha Bhimrao | Anand Shinde | F♯ Major | 5 | 2B | 99 BPM | ||
| Bhullay Nu Samjawan Ayian | Sain Zahoor Ahmed | C Minor | 6 | 5A | 72 BPM | ||
| Sawai Bhatt Song | Sawai Bhatt | D♭ Major | 8 | 3B | 100 BPM | ||
| O Dardan Waari Dil | Mumtaz Lashari | E Minor | 8 | 9A | 109 BPM | ||
| Janni Nithoor Bisrayih Na Lalanwa | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Naihar Ke Navha Chahas | Tara Rani | E♭ Major | 10 | 5B | 169 BPM | ||
| Aao Maat Ji | Harbans Lal Bansi | B♭ Minor | 8 | 3A | 172 BPM | ||
| Bhaila Diwanwa Na | Tara Rani | D Major | 4 | 10B | 145 BPM | ||
| Mitti De Khad Aaone | Azra Jehan | B Minor | 10 | 10A | 116 BPM | ||
| Cheere Walia Gabhrua | Surjit Bindrakhia | E Minor | 7 | 9A | 159 BPM | ||
| Saam Chakeba Khelbahe (Tohe Badka Bhaiya Ho) | Sharda Sinha | A♭ Major | 6 | 4B | 73 BPM | ||
| Jai Ho Haridwar Mein Bum Bum | Ram Kumar Lakkha | B Major | 8 | 1B | 100 BPM | ||
| Raja Aaja Aab Aaja | Arvind Singh Abhiyanta, Kamalwas Kuwar Vyas | F♯ Major | 8 | 2B | 156 BPM | ||
| Time De Hisab Nal | Satnam Sagar, Sharanjeet Shammi | C Minor | 9 | 5A | 177 BPM | ||
| Baba Baijnath | Sharda Sinha | B Minor | 10 | 10A | 150 BPM | ||
| Goulama Baduli | Narendra Singh Negi | F♯ Minor | 7 | 11A | 208 BPM | ||
| Bin Bajiye Tomay Daki je | Md. Azij | F Major | 9 | 7B | 91 BPM | ||
| Payal Re Payal | Pawan | F♯ Major | 4 | 2B | 99 BPM | ||
| Piya Mora Leke Aile | Madan Rai | F♯ Major | 7 | 2B | 103 BPM | ||
| Dhanya Vah Ghar Hi Hai Ram Navami Special Bhajan | Chandra Bhushan Pathak | F♯ Major | 6 | 2B | 101 BPM | ||
| Dighadiye Di Ughadiyo Shaktimaa | Mathur Kanjariya, Meena Patel | A♭ Major | 10 | 4B | 111 BPM | ||
| Daran De Na Wo | Jiya Rani | A Major | 10 | 11B | 110 BPM |