"Two Pieces, Op. 56: I. Chalom. Trasognato" by Joseph Achron, Yaara Tal had its release date on August 11, 2023. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in I. Chalom. Trasognato and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Two Pieces, Op. 56: I. Chalom. Trasognato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Two Pieces, Op. 56: I. Chalom. Trasognato by Joseph Achron, Yaara Tal to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem, Op. 48: VII. In Paradisum (Arr. for Piano by Émile Naoumoff) | Gabriel Fauré, Lucas Debargue | C Major | 3 | 8B | 84 BPM | ||
| Lieder ohne Worte, Op. 30: No. 1 in E-Flat Major. Andante espressivo, MWV U 103 | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
| LISZT Consolation S.172 Nr.2 | Blandine Waldmann | F Major | 1 | 7B | 76 BPM | ||
| Fugue in E-Flat Minor | Lyonel Feininger, Yaara Tal | D♭ Major | 1 | 3B | 178 BPM | ||
| Sonatine, M. 40 II. Mouvement de Menuet | Judith Falk | D♭ Major | 0 | 3B | 115 BPM | ||
| Joseph Achron, Hebrew Melody Op. 33 | Joseph Achron, Ron Regev, Inbal Segev | A Minor | 1 | 8A | 63 BPM | ||
| Tournament for Twenty Fingers, Pt. 1: No. 4, Cradle Song | Stephen Dodgson, Emma Abbate, Julian Perkins | C Major | 0 | 8B | 73 BPM | ||
| Nocturnes, Fp 56: Nocturne No.4, Bal Fantôme. Lent, Très Las Et Piano (C Minor) | Francis Poulenc, Irene Cantos | D Minor | 1 | 7A | 93 BPM | ||
| Serenade in A Minor | Chad Lawson | G Major | 0 | 9B | 130 BPM | ||
| I. Andante | Clara Schumann, Yaara Tal | D Minor | 0 | 7A | 210 BPM | ||
| La Romanesca | Joseph Achron, Michael Ludwig, Alison D'Amato | C Major | 0 | 8B | 92 BPM | ||
| Brahms: 7 Fantasies, Op. 116: No. 3, Capriccio in G Minor | Johannes Brahms, Piotr Anderszewski | F Major | 1 | 7B | 76 BPM | ||
| Lieder ohne Worte, Op. 102, No. 1 in E Minor. Andante un poco agitato, MWV U 162 | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
| Quatre danses miniatures: III. Mazurka à la Chopin | Alexandre Tansman, Yaara Tal | E Major | 0 | 12B | 92 BPM | ||
| Suite for String Orchestra No. 3 in D Major, BWV 1068: Air (Arr. for piano by A. Siloti) | Johann Sebastian Bach, Igor Levit | E Minor | 0 | 9A | 135 BPM | ||
| Variations on a Polish Folk Theme, Op. 10: Tema. Andantino semplice | Karol Szymanowski, Krystian Zimerman | E♭ Major | 0 | 5B | 71 BPM | ||
| Brahms: 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. Cortot for Piano) | Johannes Brahms, Kenji Miura | F Major | 1 | 7B | 76 BPM | ||
| Valse lente | Germaine Tailleferre, Lang Lang | F♯ Minor | 0 | 11A | 80 BPM | ||
| 2 Waltzes, Op. 153: No. 1, Allegro assai | Valentin Silvestrov, Elisaveta Blumina | D♭ Minor | 0 | 12A | 67 BPM | ||
| Returning | Jordi Forniés | E♭ Major | 1 | 5B | 69 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 4a, Prelude in E Minor | Dmitri Shostakovich, Sofia Sacco | G Major | 0 | 9B | 72 BPM | ||
| Das Jahr: 12 Characterstücke: No. 9, September | Fanny Mendelssohn, Susana Gómez Vázquez | C Major | 1 | 8B | 69 BPM | ||
| 3 Stücke zu vier Händen: No. 2, Allegro molto | Fanny Mendelssohn, Yaara Tal, Andreas Groethuysen | B Minor | 1 | 10A | 176 BPM | ||
| Mendelssohn: Songs Without Words, Book VI, Op. 67: No. 3, Andante tranquillo, MWV U102 | Felix Mendelssohn, Walter Gieseking | D♭ Major | 0 | 3B | 104 BPM | ||
| Dance Improvisation, Op. 37 | Joseph Achron, Michael Ludwig, Alison D'Amato | C Major | 0 | 8B | 92 BPM |