| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Finale | Fernando Velázquez | E♭ Major | 4 | 5B | 90 BPM | ||
| Echo | Luzima | A Major | 2 | 11B | 81 BPM | ||
| Gassed | Bobby Krlic | A Major | 4 | 11B | 81 BPM | ||
| We Go Way Back | 조영욱과 THE SOUNDTRACKINGS | N/A | N/A | N/A | 0 BPM | ||
| Yasan | jung jaeil | B♭ Minor | 2 | 3A | 77 BPM | ||
| A Different Ending | Anne Dudley | A Minor | 2 | 8A | 78 BPM | ||
| Erupting Light | Hildur Guðnadóttir, Jóhann Jóhannsson | D Minor | 2 | 7A | 56 BPM | ||
| At the Graveyard | 조영욱과 THE SOUNDTRACKINGS | A Minor | 3 | 8A | 170 BPM | ||
| Water, Ocean | jung jaeil | F Minor | 2 | 4A | 44 BPM | ||
| Pan & The Full Moon | Javier Navarrete | B Major | 4 | 1B | 120 BPM | ||
| The Hem | Jonny Greenwood | B♭ Minor | 2 | 3A | 116 BPM | ||
| I Saw the Devil 2 | Mowg | A Minor | 4 | 8A | 99 BPM | ||
| Sayuri's Theme - From "Memoirs Of A Geisha" | John Williams, Anne-Sophie Mutter, The Recording Arts Orchestra of Los Angeles | D Minor | 2 | 7A | 90 BPM | ||
| Five Books That I Used to Cherish | 조영욱과 THE SOUNDTRACKINGS | C Minor | 2 | 5A | 83 BPM | ||
| Dear Daughter | dceya | C Minor | 1 | 5A | 102 BPM | ||
| The last waltz | 심현정 | C Minor | 3 | 5A | 120 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| The First Bath | Nico Muhly | G Major | 0 | 9B | 73 BPM | ||
| Harpoon | Rob Simonsen | F Minor | 2 | 4A | 131 BPM | ||
| The Garden Meeting | John Williams, Yo-Yo Ma, Itzhak Perlman | E Minor | 1 | 9A | 86 BPM | ||
| Femme fatale: II. Hedda Gabler | Belinda Gehlert, Zephyr Quartet | E Minor | 1 | 9A | 108 BPM | ||
| Farewell, My Lovely | Cho Young-Wuk | E Minor | 2 | 9A | 40 BPM | ||
| The Father | Johan Söderqvist | E Minor | 1 | 9A | 91 BPM | ||
| The Trees | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 3 | 6A | 115 BPM | ||
| 친절한 금자씨 | Cho Young-Wuk | G Minor | 3 | 6A | 102 BPM |