"歌ミサの式次第(201)「感謝の典礼」 奉献文(第二奉献文)" by 高田三郎, 豊中混声合唱団, 木島美紗子 had its release date on 2001. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 日本合唱曲全集/高田 三郎 作品集5 セレクション, so we believe that "歌ミサの式次第(201)「感謝の典礼」 奉献文(第二奉献文)" is a single. The popularity of 歌ミサの式次第(201)「感謝の典礼」 奉献文(第二奉献文) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 歌ミサの式次第(201)「感謝の典礼」 奉献文(第二奉献文) by 高田三郎, 豊中混声合唱団, 木島美紗子 is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 5, On the Alm | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | E♭ Major | 1 | 5B | 78 BPM | ||
| Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
| Misa "Brevis": Agnus dei | Jakob de Haan, Hor Jevrejskog pevačkog društva i studenata farmaceutskog fakulteta, Djordje Perovic | A♭ Major | 1 | 4B | 74 BPM | ||
| Mae-e -Forward- | Chorus Central | C Major | 2 | 8B | 76 BPM | ||
| 鴎 (混声合唱曲集「夢みたものは」より) | 当間修一, 大阪ハインリッヒ・シュッツ室内合唱団 | G Major | 2 | 9B | 89 BPM | ||
| Masters in this Hall | Christ Church Cathedral Choir of Men and Boys, Indianapolis | D Minor | 1 | 7A | 95 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 8, The mind bold and independent (Demons) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Aaria, Sairasten Parantaja (Myrskyn Keskellä) | Sirkka Rautakoski | C Minor | 1 | 5A | 76 BPM | ||
| All the way home - Upper Voices | Sarah Quartel, Commotio Chamber Choir, Griselda Sherlaw-Johnson | E Major | 0 | 12B | 85 BPM | ||
| わたしの願い 雲雀にかわれ | 高田三郎, 豊中混声合唱団, 水野朋子 | G Minor | 0 | 6A | 163 BPM | ||
| Quando corpus morietur | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | B Minor | 0 | 10A | 173 BPM | ||
| Deux romances, L. 79: No. 2, Les cloches | Dilyana Georgieva, Galina Apostolova | D♭ Minor | 2 | 12A | 87 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Hymn to the Eternal Flame (From to Be Certain of the Dawn) | The Singers - Minnesota Choral Artists, Matthew Culloton | D♭ Major | 1 | 3B | 169 BPM | ||
| The Year's At The Spring | Amy Beach, Sivan Goldman, Shira Shaked | D♭ Major | 3 | 3B | 109 BPM | ||
| Cui: 20 Poèmes de Jean Richepin, Op. 44: No. 1, Berceuse. "Dors, mon fieux, dors" | César Cui, Boris Christoff, Janine Reiss | D Minor | 1 | 7A | 112 BPM | ||
| Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
| Sleep | Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | ||
| Messa di Gloria: Cum Sancto Spiritu | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: IVb-d. I Can No More – Rescue Him, O Lord – Novissima hora est | Edward Elgar, David Butt Philip, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | A Major | 0 | 11B | 166 BPM | ||
| Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM | ||
| Dona nobis pacem: Beat! Beat! Drums! | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | C Major | 2 | 8B | 83 BPM | ||
| Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
| Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM |