"First Day at Trinity" by Stephen Rennicks had its release date on April 23, 2020. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Normal People (Original Score from the Television Series)". In this album, this song's track order is #9. In terms of popularity, First Day at Trinity is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With First Day at Trinity by Stephen Rennicks having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Snow in the Garden | Alexandre Desplat | E Major | 2 | 12B | 100 BPM | ||
| End | Stephen Rennicks | E♭ Major | 0 | 5B | 73 BPM | ||
| Not Like Most Guys <3 | Giosuè Greco | A♭ Major | 0 | 4B | 90 BPM | ||
| Collateral Beauty | Theodore Shapiro | D Major | 0 | 10B | 64 BPM | ||
| Felix's Tour | Anthony Willis, London Contemporary Orchestra | F Major | 1 | 7B | 81 BPM | ||
| I Missed You | James Shearman, Nick Ingman | E♭ Major | 1 | 5B | 78 BPM | ||
| Father Comes Home | Alexandre Desplat | C Major | 1 | 8B | 81 BPM | ||
| Anyone Wanna Go Again? | Will Bates | G Major | 1 | 9B | 88 BPM | ||
| Eliel | Hammock | D Major | 1 | 10B | 74 BPM | ||
| Come Back Soon | Emilie Levienaise-Farrouch | F♯ Major | 0 | 2B | 135 BPM | ||
| Baptism | Brad Oberhofer, Oberhofer | C Major | 1 | 8B | 67 BPM | ||
| This One | Jay Wadley | D Major | 0 | 10B | 94 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| Kirsten and Jeevan | Dan Romer | A Major | 7 | 11B | 126 BPM | ||
| Beyond | Mattia Vlad Morleo | B Minor | 1 | 10A | 67 BPM | ||
| Ice Pops | Este Haim, Christopher Stracey | E Major | 3 | 12B | 132 BPM | ||
| Talk About Something | Anne Nikitin, Jessica Jones, Tim Morrish | A♭ Major | 0 | 4B | 140 BPM | ||
| And So It Continues | Johannes Baumer, Distant Cowboy | B Major | 2 | 1B | 79 BPM | ||
| Things To Really Care About | Alexis Grapsas, Philip Klein | E Major | 1 | 12B | 56 BPM | ||
| Do You Remember me | Christopher Bear, Daniel Rossen | C Major | 4 | 8B | 100 BPM | ||
| Jed’s Mirror | Brad Oberhofer, Oberhofer | D Minor | 1 | 7A | 120 BPM | ||
| Full Moon In Brooklyn | Will Bates | F Major | 0 | 7B | 87 BPM | ||
| The Factory | Jordan Seigel | A♭ Major | 7 | 4B | 143 BPM | ||
| Overture | Aaron Zigman | A♭ Major | 1 | 4B | 103 BPM |