"Overture" by Aaron Zigman had its release date on June 8, 2004. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. There are a total of 15 in the song's album "The Notebook (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Overture is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture by Aaron Zigman having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arrival To Netherfield - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | C Major | 2 | 8B | 89 BPM | ||
| Sad Homecoming | William Ross | D♭ Major | 1 | 3B | 79 BPM | ||
| Watching Connell Play | Stephen Rennicks | A Major | 1 | 11B | 76 BPM | ||
| Rachael | Martin Phipps | C Major | 2 | 8B | 102 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| Main Title Theme (From "The English Patient") | Royal Liverpool Philharmonic Orchestra, Carl Davis | D Major | 0 | 10B | 72 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| Making Love | Aaron Zigman | D Major | 0 | 10B | 49 BPM | ||
| New Start - From BBC Series "North & South" | Martin Phipps | G Major | 1 | 9B | 81 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| Emily's Chemo | Mark McKenzie | B♭ Major | 0 | 6B | 70 BPM | ||
| Real Rain - From "Pleasantville" | Randy Newman | C Major | 4 | 8B | 108 BPM | ||
| Brideshead Revisited: No. 5, A Crock of Gold | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E Minor | 1 | 9A | 75 BPM | ||
| I Waited for You | Aaron Zigman | G Major | 1 | 9B | 88 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| Gregory Gives Mig Away | William Ross | A♭ Major | 0 | 4B | 0 BPM | ||
| The Letter | Deborah Lurie | D Major | 1 | 10B | 132 BPM | ||
| A New Mia - Score | John Debney | C Major | 0 | 8B | 0 BPM | ||
| Simple Harp | Martin Phipps, The Chamber Orchestra Of London | A Minor | 0 | 8A | 204 BPM | ||
| Buon giorno principessa | Nicola Piovani | A Major | 1 | 11B | 86 BPM | ||
| Looking At The Journal | Aaron Zigman | A Minor | 0 | 8A | 66 BPM | ||
| Rose Leaves Greg | The Mirror Has Two Faces (Soundtrack) | E♭ Major | 1 | 5B | 101 BPM | ||
| Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
| Sparks | William Joseph Puchot | C Major | 1 | 8B | 173 BPM | ||
| The Kite - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 68 BPM |