Rabin, Upender's ' "Tu Dhyan Maiya Ka" was released on its scheduled release date, March 28, 2003. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Mahima Maa Ki Anmol" album is number 6 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Tu Dhyan Maiya Ka's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Tu Dhyan Maiya Ka by Rabin, Upender to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sunko Tola | Ram Chandra Kafle | C Minor | 7 | 5A | 138 BPM | ||
| Priyare Priya | S I Tutul, Konok Chapa | B♭ Major | 7 | 6B | 156 BPM | ||
| Bidhi Amar a Chokh Ondho Kore Dao | Monir Khan | G Minor | 8 | 6A | 126 BPM | ||
| Tu Dhyan Maiya Ka | Rabin, Upender | D Major | 7 | 10B | 130 BPM | ||
| Adorer Moyouri | Sharif Uddin | B♭ Major | 10 | 6B | 95 BPM | ||
| Hay Bachha Re Aam Do | Subash Hansdah, Geeta Singh Baskey | A Major | 7 | 11B | 106 BPM | ||
| Tore Bina | Anup Bading, Amar Bading | F Major | 3 | 7B | 90 BPM | ||
| Mero Binti | Rabin | D Major | 3 | 10B | 123 BPM | ||
| Mata Alapatra Parchhu (From "Prem Geet") - Female Vocals | Anju Panta, Arjun Pokharel | D♭ Minor | 7 | 12A | 128 BPM | ||
| Kavi Kavi | Anup Bading | G Major | 5 | 9B | 165 BPM | ||
| Ngai Nasari | Munal Film Pvt. Ltd. | C Major | 8 | 8B | 87 BPM | ||
| Kaslekha Ani Bwkha | Manasi Debbarma, Arun Debbarma | B♭ Major | 5 | 6B | 100 BPM | ||
| Yo Maya Yo Priti | Rajesh Payal Rai, Anju Panta | E Major | 7 | 12B | 76 BPM | ||
| Shudhu Tomar Jonno | Dhruba Guha | B Major | 4 | 1B | 126 BPM | ||
| Mon Pakhi | F. A. Sumon | C Major | 5 | 8B | 166 BPM | ||
| Naadhey Mirey Ninjeh | Ali Rameez, Fathimath Rauf | D♭ Major | 6 | 3B | 105 BPM | ||
| Tumi Amar Nojorbondhi | Kanak Chapa | C Minor | 9 | 5A | 151 BPM | ||
| Kanchhi (From "Bacha Bandhan") | Ram Chandra Kafle, Aakash Magar | G Minor | 7 | 6A | 150 BPM | ||
| Halka Halka | Pushpan Pradhan, Annu Chaudhary | G Minor | 4 | 6A | 81 BPM | ||
| Tring | Gobin Debbarma, Bipasha Reang, Arun Debbarma, Nilima Debbarma, Amar Debbarma | D Minor | 7 | 7A | 103 BPM | ||
| Chongwi Nakha Ang Nono | Biswanath Debbarma, Sourabhee Debbarma | C Minor | 4 | 5A | 77 BPM | ||
| Kopalote - Original | Babu, NA | A Major | 6 | 11B | 94 BPM | ||
| Kothay Acho | Asif Akbar | B Minor | 9 | 10A | 104 BPM | ||
| Chal Dhoni Kini Debo Saya Sadi Tor Je | Ranjit Mahto | G Major | 8 | 9B | 81 BPM | ||
| Kinu Jogor Logalu - Studio | Kumar Bhabesh | D Minor | 7 | 7A | 165 BPM |