"乱風の囁き ~禁断の地 エウレカ:アネモス編~" by 祖堅 正慶 had its release date on 1992. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 105 in the song's album "STORMBLOOD: FINAL FANTASY XIV Original Soundtrack". In this album, this song's track order is #82. Furthermore, we believe that the track originated from Japan. In terms of popularity, 乱風の囁き ~禁断の地 エウレカ:アネモス編~ is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With 乱風の囁き ~禁断の地 エウレカ:アネモス編~ by 祖堅 正慶 having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Band: eScape | THE PRIMALS | D Major | 10 | 10B | 145 BPM | ||
| Welcome Home - Journey's End | 柴田 徹也 | D Major | 3 | 10B | 80 BPM | ||
| FFVII REMAKE: The Day Midgar Stood Still | 島 翔太朗 | G Minor | 3 | 6A | 160 BPM | ||
| Recovered light | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | F Major | 5 | 7B | 80 BPM | ||
| The Trials of the Shield | 柴田 徹也 | E♭ Major | 9 | 5B | 120 BPM | ||
| BEAST Ⅱ ~ティアマト戦~ | 芳賀 敬太 | B♭ Minor | 9 | 3A | 150 BPM | ||
| CRISIS CORE Theme - The Scars That Remain | 石元 丈晴 | G Major | 3 | 9B | 84 BPM | ||
| Kushi's Ride | T’s MUSIC | G Major | 9 | 9B | 128 BPM | ||
| The Source | 祖堅 正慶 | G Major | 6 | 9B | 64 BPM | ||
| Where Damons Abide | 祖堅 正慶 | A Minor | 3 | 8A | 85 BPM | ||
| FFVII REMAKE: RUN RUN RUN - Instrumental Ver. | 鈴木 光人 | C Major | 2 | 8B | 141 BPM | ||
| Where Light Does Not Reach | 石元 丈晴 | B Minor | 7 | 10A | 120 BPM | ||
| 鋼の理念 | Nobuo Uematsu | A♭ Major | 9 | 4B | 126 BPM | ||
| FFVII REMAKE: Leslie's Theme - One Day... | 中村佳紀 | C Minor | 5 | 5A | 148 BPM | ||
| The City Where the Lights Went Out | Falcom Sound Team jdk | F Minor | 3 | 4A | 95 BPM | ||
| FFVII REMAKE: Critical Shot | 島 翔太朗, 植松 伸夫 | D♭ Major | 9 | 3B | 83 BPM | ||
| VERUM REX | Takeharu Ishimoto | F♯ Minor | 7 | 11A | 135 BPM | ||
| Final Fantasy I-VI: Battle Medley | Arnie Roth, Distant Worlds Philharmonic Orchestra | G Minor | 7 | 6A | 74 BPM | ||
| Twilight | 石川 大樹 | B♭ Major | 2 | 6B | 81 BPM | ||
| FFVII REMAKE: Just Desserts | 鈴木 光人 | G Major | 9 | 9B | 128 BPM | ||
| Hypothesis Cosmos ~TREE BATTLE 2~ | 芳賀敬太 | G Major | 6 | 9B | 130 BPM | ||
| Fury Sparks | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | B Minor | 10 | 10A | 155 BPM | ||
| Through the Gloom | 祖堅 正慶 | D Minor | 5 | 7A | 145 BPM | ||
| Perpetual Battlefield | 鈴木光人 | B♭ Minor | 8 | 3A | 160 BPM | ||
| Band: A Long Fall | THE PRIMALS | D Major | 9 | 10B | 170 BPM |