島 翔太朗, 植松 伸夫's ' "FFVII REMAKE: Critical Shot" was released on its scheduled release date, 1997. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. FFVII REMAKE: Critical Shot's duration is considered a little bit shorter than the average duration of a typical track. The song is number 52 out of 156 in FINAL FANTASY VII REMAKE Original Soundtrack by SQUARE ENIX MUSIC. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. FFVII REMAKE: Critical Shot is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of FFVII REMAKE: Critical Shot by 島 翔太朗, 植松 伸夫 is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ライトニングリターンズ | 鈴木光人 | D♭ Major | 10 | 3B | 170 BPM | ||
| 「J-E-N-O-V-A」 from FINAL FANTASY VII - arrange | SQUARE ENIX MUSIC | B Minor | 9 | 10A | 180 BPM | ||
| The Trials of the Shield | 柴田 徹也 | E♭ Major | 9 | 5B | 120 BPM | ||
| 'Neath the Pall | 祖堅 正慶, 植松 伸夫 | G Minor | 4 | 6A | 140 BPM | ||
| Good Morning, Levrikon? - FF7R Ver. | A5SEMBLER | A Major | 9 | 11B | 78 BPM | ||
| Boss Battle 2 | Malcolm Robinson | F Minor | 8 | 4A | 145 BPM | ||
| Volcanic Bomb - Climax | TEKKEN Project, Bandai Namco Game Music | B Minor | 8 | 10A | 100 BPM | ||
| DUOMO DI SIRIO 1st | TEKKEN Project, Bandai Namco Game Music | D Major | 0 | 10B | 111 BPM | ||
| DISSIDIA FINAL FANTASY NT - Announcement Trailer | 石元丈晴 | C Major | 8 | 8B | 150 BPM | ||
| Engage! | Tsuyoshi Sekito | A Minor | 9 | 8A | 165 BPM | ||
| Sentimental Z | Yoshiya Terayama | D♭ Major | 10 | 3B | 100 BPM | ||
| Divine Bloodlines / from Akumajo Dracula X Rondo of Blood | Castlevania Sound Team | D♭ Major | 10 | 3B | 140 BPM | ||
| FFVII REMAKE: Infinity's End | Masashi Hamauzu | G Major | 8 | 9B | 95 BPM | ||
| 「This is the Last Battle - arrange -」 from FINAL FANTASY III | SQUARE ENIX MUSIC | A Minor | 8 | 8A | 163 BPM | ||
| Theme of Rose | 高木 洋 | G Major | 9 | 9B | 136 BPM | ||
| Your Friendly Neighborhood Assassin | TADAYOSHI MAKINO | E Minor | 9 | 9A | 122 BPM | ||
| I Promise | 鈴木克崇 | B Minor | 3 | 10A | 86 BPM | ||
| Burning Fighting Spirit | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | F Minor | 3 | 4A | 88 BPM | ||
| War & War | 帆足圭吾, 岡部啓一 | A Minor | 7 | 8A | 94 BPM | ||
| Eclipse - Aggressive Mix | 本田みちよ | G Minor | 9 | 6A | 160 BPM | ||
| Antipyretic | 崎元 仁 | F♯ Major | 3 | 2B | 90 BPM | ||
| ”The Man with the Machine Gun” from FINAL FANTASY VIII - Arrangement | 石元丈晴 | F♯ Minor | 9 | 11A | 140 BPM | ||
| CRISIS CORE Theme - True Motives | 石元 丈晴 | E Minor | 6 | 9A | 130 BPM | ||
| Perpetual Battlefield | 鈴木光人 | B♭ Minor | 8 | 3A | 160 BPM | ||
| Boss Battle | Hitoshi Sakimoto | B♭ Minor | 4 | 3A | 145 BPM |