Morton Gould's ' "Latin-American Symphonette: Guaracha" was released on its scheduled release date, May 11, 1993. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 19 out of 19 in Composers Conduct Appalachian Spring; The Tender Land: Suite; Fall River Legend by Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Latin-American Symphonette: Guaracha is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Latin-American Symphonette: Guaracha by Morton Gould is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In a Summer Garden | Vernon Handley | C Major | 0 | 8B | 73 BPM | ||
| Hamlet: In the Garden - Music from the Film | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | G Major | 0 | 9B | 140 BPM | ||
| Elgar: Carissima | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | G Major | 1 | 9B | 58 BPM | ||
| Chicago | Fred Fisher, Morton Gould, Chicago Symphony Orchestra | C Minor | 1 | 5A | 71 BPM | ||
| Void Whisper | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| Air | Gustav Holst, Royal Ballet Sinfonia, David Lloyd-Jones | A Major | 1 | 11B | 92 BPM | ||
| Fauré: Dolly, Op. 56: III. Le jardin de Dolly (Orch. Rabaud) | Gabriel Fauré, French National Radio Orchestra, Sir Thomas Beecham | D♭ Minor | 2 | 12A | 82 BPM | ||
| Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
| Manhattan Beach | Morton Gould | D♭ Major | 8 | 3B | 125 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Colas Breugnon Overture, Op. 24 | Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic Orchestra, BBC Philharmonic | F Major | 3 | 7B | 136 BPM | ||
| España | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Hervé Niquet | F Major | 3 | 7B | 117 BPM | ||
| Carmen for Orchestra: Carmen's Aria (in Card Scene) | Georges Bizet, Morton Gould, Morton Gould Orchestra | F♯ Major | 4 | 2B | 113 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 91 BPM | ||
| Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch, Boston Symphony Orchestra | A Major | 3 | 11B | 90 BPM | ||
| Symphony No. 1 in G Minor: IV. Finale. Allegro moderato | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 1 | 11B | 92 BPM | ||
| Raymonda, Act I: Scene 1. 1er Tableau (Lento maestoso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 1 | 5B | 81 BPM | ||
| 4 Characteristic Waltzes, Op. 22: No. 1 Valse Bohemienne | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | E Minor | 1 | 9A | 81 BPM | ||
| Variations on "America" (Orchestrated by William Schumann) - 1990 Remastered | Charles Ives, Morton Gould, Chicago Symphony Orchestra | F Major | 2 | 7B | 89 BPM | ||
| Ma mère l'oye, M. 60 (Version for Orchestra): I. Pavane de la belle au bois dormant | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | C Major | 0 | 8B | 72 BPM | ||
| Be Thou My Vision | David R. Gillingham, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 2 | 8B | 114 BPM | ||
| Carmen for Orchestra: Micaela's Aria | Georges Bizet, Morton Gould, Morton Gould Orchestra | F♯ Major | 4 | 2B | 113 BPM | ||
| Lohengrin, Act III: Prelude (Concert Ending) | Richard Wagner, Wiener Philharmoniker, Karl Böhm | A Major | 1 | 11B | 92 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM |