"Fauré: Dolly, Op. 56: III. Le jardin de Dolly (Orch. Rabaud)" by Gabriel Fauré, French National Radio Orchestra, Sir Thomas Beecham had its release date on March 5, 2007. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 16 in Bizet . Chabrier . Fauré by Sir Thomas Beecham, London Philharmonic Orchestra, French National Radio Orchestra, Royal Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fauré: Dolly, Op. 56: III. Le jardin de Dolly (Orch. Rabaud) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Dolly, Op. 56: III. Le jardin de Dolly (Orch. Rabaud) by Gabriel Fauré, French National Radio Orchestra, Sir Thomas Beecham is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
| Spring Fire, GP 153: IV. Woodland Love. Romance | Vernon Handley, Royal Philharmonic Orchestra | F♯ Minor | 0 | 11A | 68 BPM | ||
| Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra | A Major | 2 | 11B | 74 BPM | ||
| Falla: El sombrero de tres picos, Pt. 1: La tarde | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 82 BPM | ||
| Variations on a theme of Frank Bridge, Op. 10: IV. Romance | Benjamin Britten, English Chamber Orchestra | B♭ Major | 1 | 6B | 81 BPM | ||
| Florida Suite - III. Sunset, Near the Plantation - Remastered 2022 | Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra | F Major | 1 | 7B | 79 BPM | ||
| Ancient Airs And Dances, Suite No.1, [P. 109]: 3. Villanella | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | B Minor | 0 | 10A | 86 BPM | ||
| Dolly, Op.56: 6. Le pas Espagnol | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 126 BPM | ||
| Pelleas and Melisande Suite, Op. 46, JS 147: V. Pastorale | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A♭ Major | 0 | 4B | 94 BPM | ||
| Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
| Debussy: Children's Corner, L. 119: VI. Golliwog's Cake-walk (Orch. Caplet) | Claude Debussy, André Cluytens, Orchestre National Radiodiffusion Française | F Major | 0 | 7B | 82 BPM | ||
| Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| Echoes of Day | Nuit | G Major | 5 | 9B | 104 BPM | ||
| Symphony No. 1, GMW 11: Ib. Immer sehr gemächlich | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 0 | 11B | 95 BPM | ||
| Radiant Moments | Veridia | F Major | 0 | 7B | 82 BPM | ||
| Nocturne No. 11 in F-Sharp Minor, Op. 104 No. 1 | Gabriel Fauré, Kun-Woo Paik | D Major | 0 | 10B | 75 BPM | ||
| II. Mouvement de menuet | John Rutter, Manchester Camerata | D♭ Major | 1 | 3B | 80 BPM | ||
| Smetana: Má Vlast: No. 2, Vltava "Die Moldau", Pt. 7 | Bedřich Smetana, André Cluytens, Wiener Philharmoniker | D♭ Major | 1 | 3B | 81 BPM | ||
| Copland: Appalachian Spring: XVII. Moderato. Like a Prayer (1944 Version) | Aaron Copland, Hugh Wolff, Saint Paul Chamber Orchestra | C Major | 1 | 8B | 175 BPM | ||
| Gli uccelli (The Birds), P. 154: V. Il cucu. Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 181 BPM | ||
| A Downland Suite: II. Elegy | John Ireland, Sinfonia Of London, John Wilson | E♭ Major | 0 | 5B | 57 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| Woodland Suite: I. At Evening Bell | George Dyson, BBC Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 96 BPM |