"Copland: Appalachian Spring: XVII. Moderato. Like a Prayer (1944 Version)" by Aaron Copland, Hugh Wolff, Saint Paul Chamber Orchestra had its release date on February 13, 2025. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wolff - From Vivaldi to Copland, a Musical Journey by Hugh Wolff, Aaron Copland, Antonio Vivaldi, Antonín Dvořák, Béla Bartók, Charles Gounod, Dmitri Shostakovich, Franz Liszt, Georg Philipp Telemann, Georges Bizet, Igor Stravinsky, Johann Sebastian Bach, Joseph Haydn, Maurice Ravel, Ottorino Respighi, Zoltán Kodály. The song's track number on the album is #29 out of 86 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Copland: Appalachian Spring: XVII. Moderato. Like a Prayer (1944 Version) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Copland: Appalachian Spring: XVII. Moderato. Like a Prayer (1944 Version) by Aaron Copland, Hugh Wolff, Saint Paul Chamber Orchestra has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Copland: Appalachian Spring: XVII. Moderato. Like a Prayer (1944 Version) being at 175 BPM, the half-time would be 88 BPM with a double-time of 350 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 100 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | F Major | 0 | 7B | 88 BPM | ||
| Fanfare from La Peri | Paul Dukas, New York Philharmonic, Pierre Boulez | F Minor | 2 | 4A | 95 BPM | ||
| The Planets - Suite for large orchestra, Op.32: I. Mars, the Bringer of War (Allegro) | Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 153 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Lincolnshire Posy: IV. The Brisk Young Sailor | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Fra Holbergs tid, Op. 40: III. Gavotte (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 1 | 9B | 122 BPM | ||
| Variations On "America" | US Marine Band | F Major | 1 | 7B | 118 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
| Götterdämmerung: Dawn and Siegfried's Rhine Journey | Richard Wagner, George Szell, The Cleveland Orchestra | G Minor | 0 | 6A | 68 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | ||
| The Red Pony Suite: VI. Happy Ending | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 3 | 7B | 76 BPM | ||
| Suite No. 2, P. 138: I. Laura Soave: Balletto Con Gagliarda, Saltarello E Canario: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | G Major | 0 | 9B | 107 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| English Dances, Set 2, Op. 33: No. 3. Grazioso | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | A Minor | 0 | 8A | 118 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VIIIa. Catacombae "Sepulcrum romanum" | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
| Carnival Overture, Op. 92 - Instrumental | Antonín Dvořák, Boston Symphony Orchestra, Seiji Ozawa | D Major | 2 | 10B | 138 BPM | ||
| Celtic Concerto: 1. Jig a Jig | Catrin Finch, Sinfonia Cymru, John Rutter | E♭ Major | 3 | 5B | 140 BPM | ||
| 3 Portraits From England Of Elizabeth: Poet | RTE Concert Orchestra, Ralph Vaughan Williams | A Minor | 0 | 8A | 87 BPM | ||
| Sally in Our Alley | Frank Bridge, English Northern Philharmonia, David Lloyd-Jones | G Major | 1 | 9B | 115 BPM | ||
| Holst : The Planets Op.32 : II Venus, the Bringer of Peace | Giuseppe Verdi, Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | F Minor | 0 | 4A | 69 BPM | ||
| Symphony No. 3 in C Minor: IV. Scherzo. Finale. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | C Minor | 3 | 5A | 132 BPM |