"Final Sin" by Edward Karl Hanson had its release date on October 12, 2012. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 20 in Convulsed by Edward Karl Hanson. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Final Sin's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Final Sin by Edward Karl Hanson is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dance with Me | Liliya Kumar, Lofi Chills | B♭ Minor | 2 | 3A | 120 BPM | ||
| La Danza Del Ajedrez | Hermanos Ferrando | F Minor | 2 | 4A | 123 BPM | ||
| Poderes Y Querer | Moon Vagrants | B♭ Minor | 4 | 3A | 95 BPM | ||
| Mei-Yin Codex Archives - Altaras | Gareth Coker | G Major | 3 | 9B | 80 BPM | ||
| Minas De Sal | Hasta El Final | F Minor | 5 | 4A | 110 BPM | ||
| La Segunda En La Frente | Asklepios | F Major | 0 | 7B | 82 BPM | ||
| Might And Magic (Pit Of The Necromancer(original game soundtrack) | Gabriel Lander | A Major | 6 | 11B | 139 BPM | ||
| The Escape | Noah Orona | A Minor | 1 | 8A | 69 BPM | ||
| A Passo Spedito | Sagrifizio | C Major | 7 | 8B | 127 BPM | ||
| Game Over | Jessica Jones | G Major | 3 | 9B | 80 BPM | ||
| Ancient Tribe of Exardiu | The Prymarch System | G Major | 4 | 9B | 90 BPM | ||
| Puentes Al Cielo | Luz De Medianoche | F Major | 2 | 7B | 140 BPM | ||
| Sky Spectators | Edward Karl Hanson | D Minor | 3 | 7A | 76 BPM | ||
| Buenas Ideas | Falsas Alarmas | B♭ Minor | 1 | 3A | 100 BPM | ||
| Situaciones Dificiles | Falsas Alarmas | E Minor | 1 | 9A | 75 BPM | ||
| Outwatch | Edward Karl Hanson | F♯ Major | 5 | 2B | 105 BPM | ||
| Cut Scene:Edge Against Me | Hyd Lunch, SEGA GAME MUSIC, SEGA SOUND TEAM | D Major | 2 | 10B | 174 BPM | ||
| Liturgia del Desmadre | Guarabeat | C Major | 2 | 8B | 100 BPM | ||
| Crystalline Winds | Nikos Georgiou | B Major | 2 | 1B | 144 BPM | ||
| Assuming Ellis | Federico Jusid | G Major | 3 | 9B | 80 BPM | ||
| Force of the Past | Stefan Ekström | F Major | 2 | 7B | 79 BPM | ||
| Realizada | Andy Maranell, Andy Mardan | E♭ Minor | 1 | 2A | 64 BPM | ||
| Opciones | Eterna Oscuridad | D Major | 4 | 10B | 72 BPM | ||
| The Distant Sun | Scott Buckley | A Major | 1 | 11B | 65 BPM | ||
| Restos De Batalla | Hasta El Final | F Minor | 2 | 4A | 68 BPM |