Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra's ' "Stolze & Tchaikovsky: Onegin: Lensky's Variation - Pas de deux. Lensky and Olga (After Eugen Onegin, Op. 24)" was released on its scheduled release date, November 5, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 31 in the song's album "Tchaikovsky: Onegin, Theme and Variations, Ballet Imperial & Diamonds". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Australia. Based on our statistics, Stolze & Tchaikovsky: Onegin: Lensky's Variation - Pas de deux. Lensky and Olga (After Eugen Onegin, Op. 24)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Stolze & Tchaikovsky: Onegin: Lensky's Variation - Pas de deux. Lensky and Olga (After Eugen Onegin, Op. 24) by Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le Cygne | Camille Saint-Saëns, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec | G Major | 1 | 9B | 94 BPM | ||
| Act II, ii, 13 Grand pas Classique: Variation 4: Variation Zhenskaya from "Le Pavillon d'Armide" (Tcherepnin) | Nikolai Tcherepnin, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
| Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Raymonda, Act III: Pas Classique Hongrois | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Minor | 0 | 4A | 139 BPM | ||
| La Bayadere, Act I, Scene 1: 6. “Flute Solo - Nikiya" | Evergreen Symphony Orchestra, Kevin Galiè, Yo-Ning Hung | C Minor | 0 | 5A | 73 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
| Giselle, Peasant pas de deux, Act I: Coda (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 137 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | ||
| Norwegian Dances, Op. 35: I. Allegro marcato (Arr. H. Sitt for orchestra) | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 1 | 10B | 120 BPM | ||
| Danzon No. 2 | Arturo Márquez, Dessau Anhalt Philharmonic Orchestra, Antony Hermus | D Minor | 2 | 7A | 97 BPM | ||
| Giselle, Act 2: No. 20 Giselle's Variation | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | ||
| Giselle, Peasant pas de deux, Act I: Allegretto: First Men's Variation (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | G Major | 0 | 9B | 94 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| Perpetuum mobile - Musical Joke Op. 257 | Johann Strauss II, Hallé, Bramwell Tovey | E♭ Major | 1 | 5B | 149 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Raymonda, Act I: Valse fantastique | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 1 | 7B | 180 BPM | ||
| Eugen Onegin: Polonaise | Rundfunkorchester Berlin, Heinz Fricke | G Major | 5 | 9B | 95 BPM | ||
| Etudes: XII. Mazurka | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 141 BPM | ||
| Divertissement pour une fête de nuit: VI. Lumières - Valse dans les jardins | Reynaldo Hahn, Ensemble Initium, Orchestre des Pays de Savoie, Nicolas Chalvin | D♭ Major | 1 | 3B | 68 BPM | ||
| Swan Lake, Op. 20 (Mariinsky Version), Act I: No. 13, Danses des cygnes: b. Moderato assai "Odette's Solo" | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | B♭ Major | 0 | 6B | 96 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 4a, Solo de Colas | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 4 | 5B | 130 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM |