Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra's ' "Etudes: XII. Mazurka" was released on its scheduled release date, February 1, 1996. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Etudes: XII. Mazurka's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Riisager: Etudes". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Etudes: XII. Mazurka's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Etudes: XII. Mazurka by Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coppélia, Tableau 1: No. 6 Thème slave varié | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Le Corsaire: Pas de Trois - Adagio | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 95 BPM | ||
| Coda (Coppélia) | Nate Fifield | D Major | 0 | 10B | 135 BPM | ||
| Paquita: Variation 8: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 4 | 6B | 124 BPM | ||
| Swan Lake, Op. 20, Act III: "Variazione del principe" | Silvano Belfiore | F♯ Minor | 3 | 11A | 130 BPM | ||
| Coppélia, Tableau 2: No. 11a Musique des automates | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E Major | 2 | 12B | 112 BPM | ||
| La Bayadere, Act II: 33. "Wedding Variation - Gamzatti" | Evergreen Symphony Orchestra, Kevin Galiè | A♭ Major | 1 | 4B | 78 BPM | ||
| Romeo And Juliet, Ballet Suite No. 1 - Op. 64a:5: Masks | Sergei Prokofiev, Royal Concertgebouw Orchestra, Myung-Whun Chung | C Major | 0 | 8B | 68 BPM | ||
| La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
| Warm Up (Don Quixote) | Nate Fifield | D Major | 0 | 10B | 135 BPM | ||
| Violin Concerto: Introduction | Thomas Agerfeldt Olesen, Otto Tausk, Danish National Symphony Orchestra, Simone Lamsma | F♯ Minor | 1 | 11A | 70 BPM | ||
| Days Of Wine And Roses | Henry Mancini, Johnny Mercer, Danish National Symphony Orchestra, DR Big Band, Danish National Vocal Ensemble, Klaus Tönshoff | F Minor | 2 | 4A | 144 BPM | ||
| Raymonda, Act III: Coda | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 4 | 7A | 166 BPM | ||
| Carmen Suite No. 1: III. Seguidilla | Georges Bizet, Slovak Philharmonic, Anthony Bramall | G Major | 0 | 9B | 176 BPM | ||
| Don Quixote, Act IV: Adagio | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 70 BPM | ||
| Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
| Petite Suite (Orchestrated by Glazunov): IV. Mazurka | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | A Major | 4 | 11B | 80 BPM | ||
| La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 170 BPM | ||
| Odette Variations | New Moscow Symphony Orchestra, V. Ponkin | E Major | 1 | 12B | 169 BPM | ||
| A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | ||
| Warm Up (Swan Lake) | Nate Fifield | B Minor | 1 | 10A | 85 BPM | ||
| Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM | ||
| Henry VIII: Danse de la gypsy | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | D Minor | 1 | 7A | 82 BPM | ||
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM |