John Ireland, Roderick Williams, Susie Allan's 'Sea Fever' had a release date set for November 17, 2017. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Sea Fever's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 28 in Celebrating English Song by Roderick Williams, Susie Allan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Sea Fever's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sea Fever by John Ireland, Roderick Williams, Susie Allan is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kronstorfer Messe in D Minor, WAB 146: II. Sanctus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| My song Is love unknown | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 1 | 7B | 71 BPM | ||
| Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.2: Softly and gently | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
| The Holy Boy: The Holy Boy | John Ireland, Sinfonia Of London, John Wilson | C Major | 1 | 8B | 100 BPM | ||
| The Beginning of the Day | Anne Boyd, Adelaide Symphony Orchestra, Ron Spigelman | F Minor | 1 | 4A | 132 BPM | ||
| The Seasons, Op. 67: X. Barcarolle | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | ||
| Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 66 BPM | ||
| Agnus Dei, "In memoriam Oleg Kagan": I. Agnus Dei (Larghetto) | Tigran Mansurian, Roeland Hendrikx Ensemble | E Major | 3 | 12B | 74 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
| All-night Vigil, Op. 37: No. 5, Lord, Now Lettest Thou | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | E♭ Minor | 0 | 2A | 65 BPM | ||
| A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | A Minor | 1 | 8A | 138 BPM | ||
| Walton: Henry V: Passacaglia "Death of Falstaff" | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 79 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Stainer: God so loved the world | The Chapel Choir of University College, Hurham, Oliver Bond | D Major | 1 | 10B | 75 BPM | ||
| The Mass: Gloria | Patrick Cassidy, Laude, David Harris, Christoph Bull | C Minor | 1 | 5A | 76 BPM | ||
| Choir Concerto: IV. Sej trud, shto natchinal ja s upavan'jem (Complete this work which I began) | Alfred Schnittke, Dale Warland Singers, Dale Warland | G Major | 0 | 9B | 76 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Dies Natalis, Op. 8 - Arr. Sheppard: 5. The Salutation - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | G Major | 1 | 9B | 112 BPM | ||
| Andante Festivo JS 34b - Live | Jean Sibelius, Yamagata Symphony Orchestra, Chiaki Murakawa | G Major | 1 | 9B | 77 BPM | ||
| Prelude | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | F Minor | 1 | 4A | 109 BPM | ||
| Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 97 BPM | ||
| Duruflé: 4 Motets sur des thèmes grégoriens, Op. 10: No. 1, Ubi caritas et amor | Maurice Duruflé, Winchester Cathedral Choir, David Hill | E♭ Major | 0 | 5B | 55 BPM | ||
| Wiegenlied (Arr. Andrew Schultz) | Johannes Brahms, Adelaide Symphony Orchestra, Ron Spigelman | E♭ Major | 0 | 5B | 76 BPM | ||
| 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 79 BPM |