Epic45's 'We Grew Up Playing In The Fields Of England' had a release date set for July 1, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Epic45's "May Your Heart Be The Map" album is number 12 out of 12. On top of that, United Kingdom appears to be the country where this track was created. We Grew Up Playing In The Fields Of England is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of We Grew Up Playing In The Fields Of England by Epic45 to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Losing You to You | Hammock | B Major | 3 | 1B | 116 BPM | ||
| First Light | Balmorhea | G Major | 0 | 9B | 120 BPM | ||
| Halving the Compass (Rhian Sheehan Remix) | Helios | D Major | 3 | 10B | 115 BPM | ||
| Two Miles Of Uncertainty | Good Weather For An Airstrike | D Major | 0 | 10B | 70 BPM | ||
| sister | ghost and tape | A Major | 4 | 11B | 115 BPM | ||
| The Golden Years | Moonlit Sailor | A Major | 7 | 11B | 127 BPM | ||
| Eskimo Kiss | Years Of Rice And Salt | E Minor | 4 | 9A | 136 BPM | ||
| Starlights | Tracey Chattaway | G Major | 3 | 9B | 135 BPM | ||
| Escape | Tom Day | F Major | 1 | 7B | 166 BPM | ||
| Love Is... | The Best Pessimist | E♭ Major | 6 | 5B | 150 BPM | ||
| Grace | Keith Kenniff | B♭ Minor | 1 | 3A | 128 BPM | ||
| Seems Like Most Everything Used To Be Something Else | The Six Parts Seven | G Major | 4 | 9B | 136 BPM | ||
| Every Second is a Second Chance | The Last Dinosaur | E Major | 5 | 12B | 129 BPM | ||
| Wake Up, O Sleeper | Midst | A♭ Major | 2 | 4B | 135 BPM | ||
| Time - Ambient | The American Dollar | C Minor | 2 | 5A | 75 BPM | ||
| California Is Too Long | Signal Hill | E Major | 7 | 12B | 156 BPM | ||
| Last Sun | Fjordne | C Major | 4 | 8B | 75 BPM | ||
| Cmf | Caspian | C Major | 2 | 8B | 167 BPM | ||
| Replacement Driver | Saxon Shore | G Major | 7 | 9B | 130 BPM | ||
| I Can Almost See You | Hammock | E Major | 5 | 12B | 74 BPM | ||
| Radiance | Slow Dancing Society | B Major | 1 | 1B | 144 BPM | ||
| Now. | Component#4, Epic45, E.L. Heath | A Minor | 5 | 8A | 131 BPM | ||
| Something Like Nostalgia | The Abbasi Brothers | G Major | 4 | 9B | 181 BPM | ||
| Hibernation Reprise | Random Forest | E♭ Major | 0 | 5B | 80 BPM | ||
| Only What You Take with You | LIGHTS OUT ASIA | D Minor | 2 | 7A | 115 BPM |