"Cae la tarde" by Carmen Guzman, Heike Matthiesen had its release date on May 15, 2020. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Cae la tarde's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Heike Matthiesen's "Guitar Ladies" album is number 20 out of 26. On top of that, Austria appears to be the country where this track was created. Cae la tarde is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cae la tarde by Carmen Guzman, Heike Matthiesen to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When the White Lilacs Bloom Again (Arr. T. Ippo) | Franz Doelle, Tsuboi Ippo, Sachiko Miyashita | G Major | 4 | 9B | 150 BPM | ||
| Villa-Lobos: Prelude No. 3 in A Minor | Heitor Villa-Lobos, Andrés Segovia | C Major | 1 | 8B | 110 BPM | ||
| Aqua & Vinho | Alfredo da Rocha Riana, Robert O'Connor Miller, Egberto Gismonti | D Minor | 1 | 7A | 131 BPM | ||
| Dona Carmen | Carlos Moscardini, Victor Villadangos | D Major | 0 | 10B | 76 BPM | ||
| Same River Twice: I. Dedication | Billy Arcila | D Major | 1 | 10B | 80 BPM | ||
| Sassetta | Ahmed El-Salamouny | D Major | 0 | 10B | 109 BPM | ||
| A la memoria de Astor (Arr. R. Aussel for Guitar) | Roberto Aussel | E♭ Major | 0 | 5B | 78 BPM | ||
| Suite Del Recuerdo/Evocacion | Jose Luis Merlin | E Minor | 1 | 9A | 109 BPM | ||
| Lecon, Op. 60: No. 22 in E Minor | Fernando Sor, Nicholas Goluses | E Minor | 1 | 9A | 131 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Fugue No. 3 in A Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | F Major | 2 | 7B | 104 BPM | ||
| Sevillana | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 148 BPM | ||
| Der Nussbaum | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Nocturno | Federico Moreno Torroba, Tilman Hoppstock | A Minor | 1 | 8A | 66 BPM | ||
| Castillos de España II: No. 8, Olite | Federico Moreno Torroba, Ana Vidović | E Minor | 0 | 9A | 120 BPM | ||
| Preguica | Jens-Uwe Popp | D♭ Minor | 0 | 12A | 137 BPM | ||
| Sonate romantique "Hommage à Schubert": II. Andante | Manuel Ponce, Marcin Dylla | A Major | 1 | 11B | 126 BPM | ||
| Maria (Francisco Tarrega) | Shani Inbar | E Minor | 3 | 9A | 107 BPM | ||
| F. Sor: Variations on a theme by Mozart 2 | Ana Vidović | A Minor | 1 | 8A | 85 BPM | ||
| Danza del Viento | Mirta Alvarez | E Minor | 0 | 9A | 98 BPM | ||
| Suite Compostelana: I. Preludio | Federico Mompou, Antigoni Goni | G Major | 0 | 9B | 100 BPM | ||
| Por Bacherías | Beto Stocker | A Major | 4 | 11B | 125 BPM | ||
| Senda de ausencia | Carmen Guzman | F Minor | 1 | 4A | 183 BPM | ||
| Micropiece No. 11: After the Rain | William Lovelady, Gerard Cousins | D Major | 0 | 10B | 109 BPM | ||
| Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle I: No. 3, Sindbads Reise [Sinbad's Journey] | Carlo Domeniconi, Celil Refik Kaya | A Major | 1 | 11B | 99 BPM | ||
| Guitar Suite No. 1: III. Into a Clearing | Peter Scott Lewis | G Minor | 0 | 6A | 94 BPM |