Johann Adolf Hasse, Simone Kermes's 'L'Olimpiade: Consola il genitore - From "L'Olimpiade"' had a release date set for August 17, 2012. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 11 in Dramma by Simone Kermes. L'Olimpiade: Consola il genitore - From "L'Olimpiade" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Olimpiade: Consola il genitore - From "L'Olimpiade" by Johann Adolf Hasse, Simone Kermes is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Germanicus: Rimembranza crudel | Georg Philipp Telemann, Jeanine De Bique, Concerto Köln, Luca Quintavalle | D Major | 1 | 10B | 93 BPM | ||
| Requiem in C Major / Sequentia: Vc. Mors stupebit | Johann Adolf Hasse, Wiebke Lehmkuhl, Colin Balzer, Cornelius Uhle, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | B Minor | 4 | 10A | 80 BPM | ||
| Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 130 BPM | ||
| Hasse: La conversione di Sant’Agostino: "Il rimorso opprime il seno" (Sant'Agostino) | Johann Adolf Hasse, Philippe Jaroussky | B Minor | 2 | 10A | 85 BPM | ||
| Mozart: Requiem in D Minor, K. 626: XV. Cum sanctis tuis | Wolfgang Amadeus Mozart, Luzerner Sinfonieorchester, Michael Sanderling, Rundfunkchor Berlin | A Minor | 2 | 8A | 89 BPM | ||
| King Arthur, Z. 628: How blest are shepherds | Henry Purcell, John Dryden, Petter Udland Johansen, Die Freitagsakademie, Katharina Suske | F♯ Major | 1 | 2B | 111 BPM | ||
| Requiem In C Major: XV. Offertorium, Hostias | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase, Greta de Reyghere, Vincent Gregoire | F♯ Major | 1 | 2B | 81 BPM | ||
| Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 2 | 11B | 82 BPM | ||
| Fago: Confitebor tibi Domine: VI. "Intellectus bonus omnibus - Gloria" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 82 BPM | ||
| Les Indes galantes, RCT 44, Prologue Scène 2: "Amants sûrs de plaire..." (Hébé) | Jean-Philippe Rameau, Claron McFadden, Les Arts Florissants, William Christie | F♯ Major | 0 | 2B | 95 BPM | ||
| Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
| Tilge, Höchster, meine Sünden, BWV 1083: Tilge, Hochster, meine Sunden (Soprano, Alto) | Johann Sebastian Bach, Monika Frimmer, Kai Wessel, Munich Neue Hofkapelle, Christian Brembeck | E Minor | 1 | 9A | 62 BPM | ||
| Purcell: Timon of Athens, Z. 632: Curtain Tune on a Ground | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | A♭ Major | 0 | 4B | 93 BPM | ||
| Juditha Triumphans, RV 644, pars prior: Aria (Vagaus) "Matrona inimica" | Antonio Vivaldi, Rachel Redmond, Jordi Savall, Le Concert Des Nations | A Major | 3 | 11B | 174 BPM | ||
| Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: II. Gott hilf Mir | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Sebastian Myrus, Ensemble Masques, Olivier Fortin | C Minor | 1 | 5A | 138 BPM | ||
| Organ Concerto No. 5 in F, Op. 4 No. 5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
| Miserere in C Minor: Quoniam si voluisses (Soprano) | Johann Adolf Hasse, Mária Zádori, Kai Wessel, Wilfried Jochens, Stephan Schreckenberger, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | B Minor | 3 | 10A | 98 BPM | ||
| Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Missetaten, die mich drücken | Johann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet Céleste | A Major | 1 | 11B | 90 BPM | ||
| Hasse: Serpentes ignei in deserto: Recitativo. "Tandem cessent clamores" (Josue) | Johann Adolf Hasse, Thibault Noally, Les Accents, Bruno de Sá | B♭ Minor | 1 | 3A | 92 BPM | ||
| Requiem in C Major / Lacrimosa: VIb. Domine Jesu Christe | Johann Adolf Hasse, Marlen Herzog, Wiebke Lehmkuhl, Colin Balzer, Cornelius Uhle, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | B Minor | 4 | 10A | 80 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Stabat Mater, P. 77: I. Duet. Stabat Mater dolorosa - Live | Giovanni Battista Pergolesi, Anna Netrebko, Magdalena Kožená, Il Giardino Armonico, Giovanni Antonini | F Minor | 1 | 4A | 76 BPM | ||
| Missa Votiva in E Minor, ZWV 18: XIX. Agnus dei | Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková, Tomáš Kořínek, Tomáš Král | E♭ Minor | 2 | 2A | 98 BPM | ||
| Magnificat in G Minor, RV 610a: II. Et exultativ | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | E♭ Minor | 2 | 2A | 130 BPM |