Igor Stravinsky, Los Angeles Philharmonic, Zubin Mehta's 'Le Sacre du Printemps / Part 2: The Sacrifice: 1. Introduction' had a release date set for January 1, 1968. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Stravinsky: Petrushka (1947 version); Rite of Spring; 8 Instrumental Miniatures; Circus Polka". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Le Sacre du Printemps / Part 2: The Sacrifice: 1. Introduction is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le Sacre du Printemps / Part 2: The Sacrifice: 1. Introduction by Igor Stravinsky, Los Angeles Philharmonic, Zubin Mehta having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | C Major | 4 | 8B | 91 BPM | ||
| Petrushka: Danse Russe | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding] | Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft | E Major | 2 | 12B | 118 BPM | ||
| Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
| Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | A♭ Minor | 0 | 1A | 71 BPM | ||
| Violin Concerto, Op. 36: III. Finale. Allegro | Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D♭ Major | 2 | 3B | 124 BPM | ||
| Daphnis et Chloe: Part III: Bacchanale | Maurice Ravel, Bordeaux Opera Chorus, Bordeaux Aquitaine National Orchestra, Laurent Petitgirard | B♭ Minor | 4 | 3A | 82 BPM | ||
| The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
| The Planets Suite, Op. 32: VII. Neptune | Gustav Holst, Vladimir Jurowski, Neville Creed, London Philharmonic Choir, London Philharmonic Orchestra | E Major | 0 | 12B | 95 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: II. Allegro – Meno mosso | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 0 | 3B | 117 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | G Major | 3 | 9B | 81 BPM | ||
| Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 2 | 8A | 145 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| Noviy Vavilon (New Babylon), Op. 18 [original manuscript version]: Reel 1, General Sale: War - Death to the Prussians | Basel Sinfonietta, Mark Fitz-Gerald | D Major | 1 | 10B | 68 BPM | ||
| Requiem Canticles: Libera me | Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | B♭ Major | 3 | 6B | 136 BPM | ||
| Petrushka: The Shrove-Tide Fair | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
| Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM | ||
| Overture: Overture | Grażyna Bacewicz, BBC Symphony Orchestra, Sakari Oramo | B Major | 0 | 1B | 112 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: I. Andante | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | D♭ Major | 0 | 3B | 106 BPM |