Toru Takemitsu, Masao Tanibe's 'All in Twilight −Four pieces for guitar−: IV. Slightly Fast' had a release date set for November 7, 2022. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. All in Twilight −Four pieces for guitar−: IV. Slightly Fast's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Toru Takemitsu: Guitar Works". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Japan. In terms of popularity, All in Twilight −Four pieces for guitar−: IV. Slightly Fast is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With All in Twilight −Four pieces for guitar−: IV. Slightly Fast by Toru Takemitsu, Masao Tanibe having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pas trop vite | Germaine Tailleferre, Cristina Ariagno | D♭ Minor | 0 | 12A | 76 BPM | ||
| Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM | ||
| Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
| The Last Waltz | Toru Takemitsu, Andrea Dieci | E Major | 0 | 12B | 103 BPM | ||
| Piccola reminiscenza | Giacomo Cataldo | B♭ Minor | 1 | 3A | 92 BPM | ||
| The Unanswered Question | Charles Ives, Cincinnati Philharmonia Orchestra, Gerhard Samuel | C Major | 0 | 8B | 68 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
| Sonatina for Piano 4 Hands: II. Andante | György Ligeti, Pierre-Laurent Aimard, Irina Kataeva | F Major | 0 | 7B | 79 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Piano Concerto No. 3, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| Satie: Caresse | Erik Satie, Anne Queffélec | G Minor | 2 | 6A | 112 BPM | ||
| And Birds Are Still . . ., Op. 72 | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata | G Major | 1 | 9B | 75 BPM | ||
| O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | ||
| The Lark (arr. for Harp) | Mikhail Glinka, Se Hee Hwang | D♭ Major | 1 | 3B | 69 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Forgotten Dances: No. 1, Overture, Queen of the Spiders | Thomas Adès, Sean Shibe | C Major | 4 | 8B | 132 BPM | ||
| Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson: 4. Forlana | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | F♯ Major | 1 | 2B | 103 BPM | ||
| La Catedral: I. Preludio saudade | Agustín Barrios Mangoré, Raphaël Feuillâtre | B Minor | 1 | 10A | 90 BPM | ||
| Scarlatti: Sonata in A Major, K 208 | Domenico Scarlatti, Lavinia Meijer | G Major | 0 | 9B | 58 BPM | ||
| Daphnis et Chloé, M. 57, Pt. 1: Ia. Introduction | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B Minor | 0 | 10A | 92 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | G Major | 0 | 9B | 58 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Waltz For Debby | Kronos Quartet, Eddie Gómez, Jim Hall | E Minor | 0 | 9A | 86 BPM | ||
| 2 Pieces for Strings from Henry V: No. 1, Passacaglia. Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM |