On January 17, 2020, the song "Dil Tut Gaya" was released by Rakesh Kala, Kalpana Chauhan. This song is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Pyar Aur Talwar". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Dil Tut Gaya is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dil Tut Gaya by Rakesh Kala, Kalpana Chauhan having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Naam Tumhara Taran Hara | Rakesh Kala, Ramesh Tanwar, Shailendra, Anjali Jain | B Major | 5 | 1B | 96 BPM | ||
| Mujhe Vrindavan Basaya Ye Karam Nahi to Kya Hai | Sadhvi Purnima Ji | D♭ Minor | 5 | 12A | 119 BPM | ||
| Ram Naam Ke Heerey Moti Main Bikhraun Gali Gali | Shridhay Shri Mridul krishna shastri ji maharaj | G Minor | 6 | 6A | 143 BPM | ||
| Hum Hain Shyam Ke Pyare | Sanjay Mittal | B♭ Minor | 7 | 3A | 86 BPM | ||
| Aaj Menu Nachle Ne De | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A♭ Major | 9 | 4B | 117 BPM | ||
| Kitna Pyara Hai Shringaar | Subhash Jena | E Minor | 6 | 9A | 152 BPM | ||
| Chalo Nand Yashoda Ke Dwar(Janmashtami Special) | Dhruv Sharma, Swarna Shri | F Minor | 7 | 4A | 88 BPM | ||
| Dena Ho To Deejiye Janm Janm Ka Saath | Mukesh Bagda | D♭ Major | 8 | 3B | 76 BPM | ||
| Vrandavan Ke Baanke Bihari | Bhaiya Krishan Das Ji | F♯ Major | 5 | 2B | 92 BPM | ||
| Amrit Ki Barse Badariya | Lakhbir Singh Lakkha | D♭ Major | 9 | 3B | 128 BPM | ||
| Meri Jhopdi Ke Bhag Aaj Khul Jayenge | Sapna Vishwakarma | D♭ Major | 7 | 3B | 80 BPM | ||
| Jhoom Jhoom Naache Dekho Bhakt Hanumana | Lakhbir Singh Lakkha | D♭ Major | 5 | 3B | 134 BPM | ||
| Nagari Ho Ayodhya Si | Roshani Pandey | D♭ Minor | 8 | 12A | 93 BPM | ||
| Mera Apaki Kripa Se | chronically online | F Major | 4 | 7B | 100 BPM | ||
| Muze Tune Daata Bahut Kuch Diya Hai | Mahesh Hiremath, Shubhangi Joshi | G Minor | 10 | 6A | 146 BPM | ||
| Mata Hai Gaura Pita Mahesh | Shahnaz Akhtar | G Major | 9 | 9B | 130 BPM | ||
| Radha Raman Mere Ghar Aavenge | Harinaam Das | E Minor | 9 | 9A | 111 BPM | ||
| Sawali Surat Par Mohan Dil Diwana Ho Gaya | jhukur singh | C Major | 9 | 8B | 100 BPM | ||
| Maiya Ek Baar Dars Dikha | Kumar Ashu, Rakesh Kala | D Major | 7 | 10B | 100 BPM | ||
| Pata Nhi Kis Roop Me Aakar Narayan Mil Jayega | Prakash Gandhi | D♭ Major | 7 | 3B | 132 BPM | ||
| Aisa Damru Bajaya Bhole Nath Ne | Mishra Bandhu | F♯ Minor | 7 | 11A | 126 BPM | ||
| Veer Hanumana Ati Balwana | Rakesh Kala | A♭ Major | 8 | 4B | 118 BPM | ||
| Kailash Ke Nivasi Namo Baar Baar Hun | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 133 BPM | ||
| Ujjain Ke Raja Kabhi Kirpa Najariya - Hindi | Kishan Bhagat | D Major | 8 | 10B | 102 BPM |