On June 7, 2024, the song "Nagari Ho Ayodhya Si" was released by Roshani Pandey. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Nagari Ho Ayodhya Si and no other songs are present in the album, we classify this track as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Nagari Ho Ayodhya Si is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Nagari Ho Ayodhya Si by Roshani Pandey having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| KHATU JI JAANE KO JEE LALCHATA HAI | Kanhiya Mittal | E Major | 7 | 12B | 82 BPM | ||
| Mere Ujjain Ke Mahakal | Kishan Bhagat | B♭ Major | 9 | 6B | 190 BPM | ||
| Bihari Tere Naina Kajrare | Chitra Vichitra | B♭ Minor | 9 | 3A | 160 BPM | ||
| Jara Itna Bta De Kanha Tera Rang Kala Kyu | Anju Sharma | C Minor | 3 | 5A | 104 BPM | ||
| Naino Ka Nahi Kasoor | Roshani Pandey | A♭ Major | 10 | 4B | 125 BPM | ||
| Banke bihari ki dekh chhata mero man hai gayo lata pata | Roshani Pandey | G Minor | 9 | 6A | 138 BPM | ||
| Aarti Kunj Bihari Ki | RISHI SINGH, Ankit-Chetan, Manoj Muntashir | F♯ Major | 7 | 2B | 108 BPM | ||
| Radha Raman Mere | Harinaam Das | D Major | 6 | 10B | 105 BPM | ||
| Aisa kya kaam kiya | Sheetal Pandey | G Minor | 3 | 6A | 139 BPM | ||
| Sare Tirth Dham | Sadhvi Purnima | C Major | 7 | 8B | 120 BPM | ||
| Jhula Jhulo Ri Radhe Rani | Mukesh Bagda | D♭ Major | 8 | 3B | 138 BPM | ||
| Jahan Barsana Hai | Sadhvi Purnima Ji | D♭ Major | 8 | 3B | 149 BPM | ||
| Man Chal Re Vrindavan Dham | Devi Chitralekha | D Major | 8 | 10B | 98 BPM | ||
| Hath Jod Vinti Karu | Anup Jalota | A♭ Major | 5 | 4B | 150 BPM | ||
| Maiya Tere Darbar Ye Diwane Aaye Hai | Shahnaz Akhtar | B♭ Minor | 8 | 3A | 102 BPM | ||
| Salasar Kai Mandir Main | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Na Bulate Ho Mere Shyam | Larissa Almeida | D♭ Minor | 5 | 12A | 120 BPM | ||
| Parbhu Hum Bhi Sharnagat Hai | Devendra Pathak | B♭ Minor | 7 | 3A | 82 BPM | ||
| Sanware Meri Sunlo | Kishnaprince Mittal | D Major | 7 | 10B | 188 BPM | ||
| Chori Chori Makhan | Swati Mishra | F Minor | 5 | 4A | 140 BPM | ||
| Banoge Radha To Ye Janoge | Mukesh Bagda | C Minor | 7 | 5A | 144 BPM | ||
| Mhane Bhi Bula Le Baba Thari Nagari Me | Mukesh Kumar | F Minor | 9 | 4A | 172 BPM | ||
| Nagari Ho Ayodhya Si | Roshani Pandey | D♭ Minor | 8 | 12A | 93 BPM | ||
| Saja Do Ghar Ko Gulshan Sa - Original | Amit Rajpal | C Major | 4 | 8B | 157 BPM |