On June 7, 2024, the song "Nagari Ho Ayodhya Si" was released by Roshani Pandey. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Nagari Ho Ayodhya Si and no other songs are present in the album, we classify this track as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Nagari Ho Ayodhya Si is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Nagari Ho Ayodhya Si by Roshani Pandey having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kabhi Ram Banke Kabhi Shyam Banke | Tripti Shakya | B Major | 8 | 1B | 165 BPM | ||
| Chitrakut Ke Ghat Ghat Par | Devendra Pathak | D Major | 6 | 10B | 128 BPM | ||
| Mere Sarkar Aaye Hain | Raj Pareek | C Major | 9 | 8B | 96 BPM | ||
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM | ||
| Ram Ko Dekh Kar Shree Janaknandini | Sadho The Band | E Major | 7 | 12B | 172 BPM | ||
| Bans Ki Bansuriya Pe | Dolly Sharma | F♯ Major | 7 | 2B | 97 BPM | ||
| Bhagat Ke Vash Mein Hain Bhagwan | Anup Jalota | C Major | 5 | 8B | 134 BPM | ||
| Mahakal Damru Wala | Sunny Albela | E Major | 6 | 12B | 90 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Shyam Name Ki Kamai | Kishan Bhagat | B Minor | 8 | 10A | 145 BPM | ||
| Kanhaiya Meri Laaj Rakhna | Reshmi Sharma | D♭ Minor | 10 | 12A | 115 BPM | ||
| Dena Hai To Dijiye Janam Janam Ka Sath | Naresh Raina | G Major | 8 | 9B | 140 BPM | ||
| Jara Itna Bta De Kanha Tera Rang Kala Kyu | Anju Sharma | C Minor | 3 | 5A | 104 BPM | ||
| Hum Tumhare Hain Prabhu | Devendra Pathak | C Major | 7 | 8B | 120 BPM | ||
| Ujjain Ke Raja Bhole Bhandari | Unix Bhakti, Nitin Bagwan | B♭ Major | 4 | 6B | 85 BPM | ||
| Aata Rahu Darbar Sanwre | Ginny Kaur | E♭ Minor | 8 | 2A | 76 BPM | ||
| Shyam Makhan Churate Churate | Roshani Pandey | F Minor | 9 | 4A | 92 BPM | ||
| Mandir Ka Kona Unplugged | Rahul Sanwara | A Minor | 7 | 8A | 107 BPM | ||
| Khatu Shyam Chalisa | Manoj Mishra | C Minor | 7 | 5A | 96 BPM | ||
| Teri Mand Mand Muskaniya | Mahi Vishwakarma | B♭ Minor | 5 | 3A | 132 BPM | ||
| Radhe Radhe Rat Re | Gaurav Krishna Goswami | A Major | 9 | 11B | 150 BPM | ||
| Kahe Roye Yhan Tero Koinhi | Chotu Singh Rawna | C Major | 8 | 8B | 142 BPM | ||
| Radhe Tere Charno Ki Dhool Jo Mil Jaye | Chetna | B♭ Major | 4 | 6B | 139 BPM | ||
| Nidhi Van | Kewal Krishan | A♭ Major | 9 | 4B | 136 BPM | ||
| Kirtan Ki Hai Raat | Kanhiya Mittal | A♭ Major | 7 | 4B | 140 BPM |