Avinash Karn, Rashmi Yogini's ' "Rudrashtakam Stotram" was released on its scheduled release date, June 26, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Rudrashtakam Stotram only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Rudrashtakam Stotram's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Rudrashtakam Stotram by Avinash Karn, Rashmi Yogini having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mera Sankat Katane Wala Hain | Manish Tiwari | F♯ Major | 4 | 2B | 177 BPM | ||
| O Vishwapati Tara Vishvase -Trupti Dave | Studio Avsar | B♭ Minor | 6 | 3A | 148 BPM | ||
| Jiski Lagi Re Lagan Bhagwan Mein | Rakesh Kala | G Minor | 7 | 6A | 120 BPM | ||
| Chalo Chalo Khatu Dhaam | Sanjay Mittal | E Minor | 10 | 9A | 144 BPM | ||
| Shrimad Vallabh Kaho | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | D♭ Major | 5 | 3B | 157 BPM | ||
| Mann Mast Fakiri Dhari Hai | Prakash Mali | B Minor | 9 | 10A | 130 BPM | ||
| Leke Chalo Palki Shirdi Ke Nath Ki | Sachidanand Appa | A♭ Major | 5 | 4B | 130 BPM | ||
| Nach Nach Chandrawati | Narendra Singh Negi, Anuradha Nirala, Meena Rana | F♯ Minor | 4 | 11A | 126 BPM | ||
| Bolya Shreehari Re | Hariprabodham | F Minor | 6 | 4A | 80 BPM | ||
| Radhe Radhe | Avinash Karn | D Major | 5 | 10B | 92 BPM | ||
| Jai Radhe Jai Radhe Jai Shri Krishan | Pt. Gyanendra Sharma | D Minor | 7 | 7A | 89 BPM | ||
| Bhakton Ke Raja Shyam More Aaja | Kumar Vishu | F♯ Major | 5 | 2B | 80 BPM | ||
| Shyam Chanda Hai Shyama Chakori | Sadhvi Purnima Ji | D♭ Major | 9 | 3B | 150 BPM | ||
| Ye Meri Arji Hai | Devendra Pathak | C Minor | 7 | 5A | 96 BPM | ||
| Khatu Dham Charo Dham | Shyam Singh Chouhan | E Major | 7 | 12B | 75 BPM | ||
| Hanuman Chalisa | Rashmi, Avinash Karn | F♯ Minor | 8 | 11A | 140 BPM | ||
| Na Kar Maan Bandeya | Sher Singh | E Major | 7 | 12B | 90 BPM | ||
| Prabhu Hum Bhi Sharnagat Hai | Satyendra Pathak | A♭ Major | 7 | 4B | 94 BPM | ||
| Thumak Thumak Manki Nache Re | Anoopam Mission, Sachin Limye | E♭ Major | 6 | 5B | 86 BPM | ||
| Deep Jalaye Ek Baba Ke Naam | Sapna Vishwakarma, Avinash Karn | A♭ Minor | 8 | 1A | 114 BPM | ||
| Raadha Dhoondh Rahee Kisee Ne Mera Shyaam Dekha | Vijay Soni | G Major | 7 | 9B | 130 BPM | ||
| Vari Jau Vahalajine | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Shivashtak | Anjul Sharma | C Major | 5 | 8B | 83 BPM | ||
| Kali Chalisa Superfast | Rahul Pathak, Pramod Singh, Ravi Khanna | A♭ Major | 7 | 4B | 100 BPM | ||
| Koi Kahe Govind | Vandana Bhardwaj | F Major | 8 | 7B | 120 BPM |